[1] That year, the space also presented performances by Jeremy Bailey, Casey Mecija, Nina Arsenault, as well as Salvatore Antonio and Adamo Ruggiero's Truth/Dare: A Satire (With Dance), a Madonna tribute show.
Videofag also premiered Sheila Heti's play All Our Happy Days Are Stupid, the subject of her bestselling novel How Should a Person Be?, featuring a cast of fourteen mostly non-actors from Toronto's literary, music, comedy, and visual art scenes.
That year, Videofag also hosted exhibitions by Vivek Shraya, Keith Cole, and Jesi the Elder, and group shows featuring work by Bridget Moser, Life of a Craphead, FASTWÜRMS, Kalup Linzy, Will Munro, and R.M.
Jones and Caroline Azar of Fifth Column, an exhibition of Erik Kostiuk William's Hungry Bottom Comics, and the Queer Songbook Orchestra, in which a 12-piece chamber ensemble re-interpreted songs that have shaped the LGBTQ community.
The space also played host to exhibitions, performances, and residencies by dancer-choreographer Amanda Acorn, performance artist Alvis Choi, the post-punk band New Fries, director Alistair Newton, writer-artist Masha Tupitsyn, curator Xenia Benivolski, playwright Johnnie Walker, writer Michael V. Smith, artist Rajni Perera, drag queen Nancy Babcock, performance-maker Chad Dembski, and dancer-choreographer Dana Michel, among others.
[18] In 2016, Videofag presented work by musician Lido Pimienta, playwright-performer Haley McGee, poet Aisha Sasha John, theatre makers ted witzel and Susanna Fournier, artist Walter Scott, and premiered playwright Salvatore Antonio's play Sheets.