[6] In 2024, a Solo show of her work titled Vikky Alexander, Dream Palace, was exhibited at the Galerie Allen in Paris, France.
(CAN); an earlier body of her work emerged from Appropriation Art while her later artworks deepened the language of Photo-conceptualism, which was part of a photography group known internationally as the Vancouver School.
Institutional collections of her work can be found in the Los Angeles Museum of Contemporary Art, the International Center of Photography in New York City, the National Gallery of Canada in Ottawa, and at the Deste Foundation, Athens.
Alexander is represented by Trépanier Baer Gallery, Calgary, Wilding Cran, Los Angeles, Cooper Cole, Toronto, and Downs & Ross, New York.
The Vancouver School artist and writer, Ian Wallace relates her work to "an expression of the imaginary, wherein fantasies of hope and utopia are acted out in the daydreams that call reality into question.
Recently, Alexander with Louise Lawler, Kim Gordon, Michael Asher have designed cards, interiors and matches for individual clients.
Thus the kind of designer-client relationship that is constructed inherently questions values of both “design” and art receivership, in psychological as well as social/esthetic terms.”[8] The American curator, Dan Cameron wrote in a review of her large scale installation work titled Lake in the Woods from 1986: Vikky Alexander’s narrow gallery environment consisting of an idyllic photo-mural diptych, which faces a large prefabricated wall unit, this in turn supporting a row of mirror panels at shoulder height.