Writing for music website AllMusic, Mark Deming described Vincebus Eruptum as "a glorious celebration of rock & roll primitivism run through enough Marshall amps to deafen an army", praising the band's "sound and fury" as one of the founding movements of heavy metal.

[16] Martin Popoff was less enthusiastic in his review and called the music "derivative" and "equating closer to acid-washed loud and slurring renditions of '60s rock" than heavy metal, judging the album "a howling mess.

"[12] Online music service Rhapsody included Vincebus Eruptum in its list of the "10 Essential Proto-Metal Albums", suggesting that the band "not only inspired the term 'power trio,' they practically invented heavy metal.

"[17] In 1998, The Wire included Vincebus Eruptum in their list of "100 Records That Set the World on Fire (While No One Was Listening)", calling it a "seminal" album that "snarled rabidly in the face of hippy innocence and soon became a Hells Angels party stomper."

They also note the strong influence the album had on 1990s Japanese noise trios such as High Rise and Musica Transonic.