It is similar to Scumdogs of the Universe, in that Dave Brockie was the dominant voice of the band again, and the theme is centered on generalized carnage.
Gwar takes on more "medieval" themes this time, such as torture ("The Wheel") and conjures up some truly ugly imagery in songs such as "Licksore", "Beauteous Rot", "Immortal Corrupter" and "The Apes of Wrath".
[citation needed] Though touching on the "Gwar lore" that began on Hell-O, Violence Has Arrived follows no individual story.
This was, in large part, because of the disappointing reaction to We Kill Everything by the band, and due to Slave Pit Inc.'s diminished ranks - the previous year Danielle Stampe (Slymenstra Hymen) and Hunter Jackson (Techno Destructo) had left, as well as "slave" Davis Bradley (though retired from touring for spinal reasons, he did build the Biledriver).
In a 2004 interview, Beefcake the Mighty (then portrayed by Todd Evans) said that the reason for the switch was because Metal Blade had some European distribution problems, and they were not being fixed.
However, Brockie has also said that their departure was a result of them being denied payments owed to them for a number of years, due to the poor sales of the previous two albums, which also led to cutting off the Europe deal.
[citation needed] The spelling for "Immortal Corrupter" is incorrect - the word "corruptor" does not have the letter e. It is corrected on the back cover of Live from Mt.
[citation needed] Violence Has Arrived was an album that the band enjoyed recording - "Everyone was ecstatic when Gwar put out “Violence Has Arrived” in 2001 — it marked Gwar's triumphant return to metal, and the world breathed a collective sigh of relief that we hadn't put out another “We Kill Everything”" (from a March 23, 2006, news entry at gwar.net) - and is still featured heavily on tour, be it in song ("Biledriver" is often used to end shows) or in theme (storyless carnage has been a big part of Gwar's tours in the past few years, though that changed in fall 2006, with the tour supporting Beyond Hell).