Since they both shared keen interest in music and movies, they became friends and eventually set off to pursue a career in Audio Engineering.

During his time in college, he encountered and became friends with Alphonse Puthren, Karthik Subbaraj, Nalan Kumarasamy, Vijay Sethupathi, Bobby Simha, Rajesh Murgeshan and Shabareesh Varma; all of these men would go on to be successful filmmakers, actors and musicians.

[8][9][10] M.Suganth of The Times of India noted "While Resul Pookutty's Oscar win in 2009 created an awareness of this community, in Tamil cinema, it was Pizza in 2012, that made people sit up and take notice of sound design.

[1][12] Govind along with Sankar made his Malayalam film debut with Neram(2013) and went on to work with its director, Alphonse Puthren in Premam (2015) and Gold (2022).

The presence of deep bass at the time of actions and the perfect balance of ambience sound with the dialogues that carried an intensity made the scenes much more effective".

Following its release, the reception was generally positive with the film receiving praises for its scope, ambition and technical aspects.

[20][21] Lalitha Suhasini, former editor of Rolling Stone India wrote "The movie's soundscape brings to mind Danny Boyle's 2010 film 127 Hours, both incidentally scored by A.R.

"[22] Since 2020, he has worked on the sound and mixing of numerous films, notably Anjaam Pathiraa (2020), Soorarai Pottru (2020), Ayyappanum Koshiyum (2020), Operation Java (2021), Kaanekkaane (2021), Mahaveeryar (2022), and Thallumala (2022).

[23] Vijayalakshmi Narayanan of The Free Press Journal wrote "Akhil George's cinematography, coupled with Mohandas' production design and Vishnu Govind's sound, creates the sense of urgency and palpable tension, that will leave your heart pounding in instances, more than once.