The community comprises five subgroups—carpenters, blacksmiths, bronze smiths, goldsmiths and stonemasons— claim to be descendants of Vishvakarma, the builder and architect of heavenly realm, a Hindu deity.
He had five children — Manu, Maya, Tvastar, Shilpi and Visvajna — and these are believed by the Vishwakarma community to have been the forebears of their five subgroups, being respectively the gotras (clans) of blacksmiths, carpenters, bell metalworkers (metal casters), stonemasons and goldsmiths.
Ramaswamy notes that the socio-economic and geographic stability of a medieval village-based maker of ploughs differed considerably from that of the various people who banded together as Vishwakarma and lived a relatively itinerant lifestyle that was dependent on the "temple economy" that waxed and waned as dynasties such as the Vijayanagar Empire were formed and disintegrated.
The latter group, who did work in proximity to each other while constructing and embellishing temples, had opportunities for socio-economic advancement but also bore the risks of withdrawal of patronage and changes in religious focus.
[9][10][11] In Kerala, the Vishwakarmas have claimed a higher social status for many years, and believe that the trades which they traditionally follow are superior to the work of a manual labourer because they require artistic and scientific skills as well as those of the hand.
According to George Varghese, their claim to high status is "one of the mainstays of Vishwakarma identity" in what is otherwise a fragmented, incoherent community that has often suffered from internal differences of opinion.
[3][full citation needed] This claim to Brahmin status is not generally accepted outside the community, despite their assumption of some high-caste traits, such as wearing the sacred thread, and the Brahminisation of their rituals.