At the Cannes Film Festival, the Taviani brothers won the Palme d'Or and the FIPRESCI prize for Padre Padrone in 1977 and the Grand Prix du Jury for La notte di San Lorenzo (The Night of the Shooting Stars, 1982).

[2][3] They went on to direct two films with Valentino Orsini, Un uomo da bruciare (A Man to Burn) (1962) and I fuorilegge del matrimonio (Outlaws of Marriage) (1963).

With actor Gian Maria Volonté they gained attention with Sotto il segno dello scorpione (Under the Sign of Scorpio, (1969) where one can see the echoes of Brecht, Pasolini, and Godard.

In Il prato (1979) there are nonrealistic echoes, while La notte di San Lorenzo (The Night of the Shooting Stars, 1982) narrates, in a fairy-tale tone, a marginal event in the days leading up to the end of World War II, in Tuscany, as seen through the eyes of some village people.

Successes like Le affinità elettive, (1996, from Goethe) and an attempt to woo the international audiences like Good morning Babilonia, (1987), on the pioneers of cinema history, alternate with lesser films like Fiorile (1993) and Tu ridi (1996), inspired by the characters and short stories of Pirandello.