Volume Dois

[5] In the final performances of the Acústico MTV tour, Titãs already talked about a future studio album with more acoustic versions of their songs.

[8] The album recording sessions lasted for 4 months, a process that then vocalist and bassist Nando Reis would later consider tiresome.

[9] The band once again invited producer Liminha, seeking to repeat the quality of albums such as Cabeça Dinossauro and Jesus não Tem Dentes no País dos Banguelas (produced by him), but Reis considered the final result as below expectations, citing that Liminha overused then new Pro Tools to almost completely recreated entire arrangements; he also re-recorded some of his bass parts, for example on "Desordem".

[10][9] Also during the recording sessions, acoustic guitarist Marcelo Fromer took a one-month leave to travel to France and comment the 1998 FIFA World Cup for SporTV channel.

[7] When asked if "Caras Como Eu" was a song about feeling old, its author Bellotto replied:[11] No, it's natural, like, after so much time playing with Titãs, I'm already 38 and I have lots of children.

Much the contrary, it may even be a reverse album, like a restart, us exercising the ability to compose, to create music in a way adequate to what we're feeling, to the moment, to the age.

[4][7] A promotional tour succeeded, with its shows divided into three parts: one electroacoustic, one acoustic and one more rock-oriented, containing old hits not used in the album.