In 1919, after returning from his time with the Red Cross, Walt moves in with his older brother Roy and his girlfriend Edna, in Kansas City.

Walt finishes work on the original Alice film, which is approved by Winkler and her husband Charles Mintz.

Guessing that the Disney brothers are running out of money, George begins talking with the animators, inviting them to join Mintz' new studio for better payment.

Walt discovers a new contract would surrender all ownership of the Disney studios to Mintz, whose distributor Universal already owns the rights to Oswald, and learns his animators have left.

In an interview with the Kansas City Star, director Khoa Le talked about the challenges of the project, having been hired at the last minute to direct and having little familiarity with Disney himself.

It appears at the end of the film and over the credits, sung by Julie Zorrilla, American Idol finalist and written by Andrew Capra, Rob Graves and Jeremy Rubolino.

"[5] Scott Renshaw of the Salt Lake City Weekly gave the film one and a half stars, criticizing the creative team for "the decision to douse everything in a twinkly, romanticized tone that probably struck the filmmakers as apropos for Disney's life, but in fact loses all that was spiky and determined about the man".

[6] Common Sense Media gave the film two stars, remarking that, "Few visionaries are as fascinating as Walt Disney, so it's particularly frustrating that this drama is so uninspired.

"[7] Pop culture site NukeTheFridge, which gave it an 8/10 rating, proclaimed, "Where this film does great at is the fact that it's relatable.

Let's face it, most or none of us have our own billion dollar companies but the fact that Walt and his animators struggled financially and failed to have others believe in their dream, is something we can all relate to.