This exposure propelled Aoife's career forward, enabling her to work on renowned brands such as Coca-Cola, Heineken, Diageo, Mondelēz and Pepsi, among many others.

There's also the Irish fiddles, the Sarod, the tablas, the gospel, flamenco guitar..."[14] Stone began to work on a new record as soon after launch her sixth album The Soul Sessions Vol.

[15] The sounds and artistry direction of album was adapted and developed through four years that followed until the finished product, even putting songs written by her a long time ago.

Then I met Damien Marley when we were working on the Superheavy stuff and we started writing songs in the spare time we had between the sessions.

"[14] In 2014, Stone also worked with the Urban Folk Quartet members Joe Broughton and Paloma Trigas, who provided string parts for the album.

Band member Tom Chapman said how the collaboration began: "Joss watched our gig at Green Man festival last year and came up to chat afterwards.

Kobalt handled distribution in the United States, Canada, Australia, South America, Japan and China, while Membran was in charge for Europe and Africa.

"[18] In addition to the album's release, Stone embarked on a proper "world tour" with the intention of playing a gig in every country on the planet.

[22] At The Guardian, Caroline Sullivan wrote: "the pro-weed track 'Sensimilla' will prompt mass eye-rolling because of her decision to sing part of it in patois, and Harry's Symphony likewise (her accent – 'If you want to get 'igh, bring your own supply' etc.

Concluding a one star out of five review, Connors added: "This 'I'll do what I want release' is suited to no more than beach-bar background music on a Death In Paradise-style Caribbean island.