[7] The album features extensive contributions from various musicians, including the members of Akron/Family, Hungarian violinist Eszter Bálint, classical music composer Paul Cantelon, cellist Julia Kent, Bill Rieflin, and singer-songwriter Larkin Grimm.

[8] Richie Unterberger of Allmusic wrote: "Angels of Light come up with a thoroughly respectable and diversely arranged vehicles for his vision on We Are Him, traipsing through an array of interesting moods without diluting the leader's offbeat visions," He also described the album as "much more tuneful and subdued an affair than many would expect from the former band behind Swans," while distancing it from "an average alternative rock record.

Club concluded: "As much as he's painted as a dour American Nick Cave, Gira's range of tone and emotion is given open pasture here, and We Are Him is one of his strongest, most horrifically hypnotic works yet.

"[2] Rob O'Connor of Spin wrote: "Michael Gira still explores the drones and grinding rhythms that he recorded with legendary art-punk band Swans, but on this album with collective Angels of Light, the singer/songwriter focuses on whiplash juxtapositions of sound and style," while also adding that "he cuts and pastes his skewed vision of a Nick Cave-flavored Americana where mandolin and hammer dulcimer rumble with a devilish mariachi band down a dark backstreet.

"[5] Mike Schiller of PopMatters stated: "Despite all of the shock and the awe, once We Are Him does settle into repeated listening, it never quite reaches the consistent, memorable heights of ...Other People.