At Metro Arts, Harrison reconnected with Marcus Belgrave, and first met pianist/composer Harold McKinney and trombonist Phil Ranelin, who had moved to Detroit from Indianapolis in 1969.

Harrison and his first wife, Patricia, also published Tribe magazine, a publication dedicated to local and national social and political issues, as well as featuring artistic contributions such as poetry and visual pieces.

[2] Notable jazz artists, such as Geri Allen, Jimmy Owens, James Carter, Eddie Harris, Leon Thomas, and Woody Shaw have participated in Rebirth's programs.

Further expanding on his focus on music education, Harrison authored the Be Boppers Method Books I & II as a teaching aid to musicians looking to build their improvisational skills.

With this ensemble, Harrison recorded several albums: Mama's Licking Stick, Rush and Hustle, Live In Concert, and Forever Duke.

He has showcased the clarinet in such varied settings as his own Swing Ensemble (where he occasionally sings) and accompanying techno artist Carl Craig.

The ensuing publicity encouraged Harrison to once again feature the tenor sax, working closely again, and touring internationally with, Tribe label mates Phil Ranelin and Marcus Belgrave.

[5] Wendell Harrison continues to hold the position of artistic director of Rebirth[citation], organizing and executing workshops and residencies in school music programs.