Wendy White (mezzo-soprano)

She later returned to the Lyric Opera as the 3rd Lady in Wolfgang Amadeus Mozart's The Magic Flute (1986), Siébel in Charles Gounod's Faust (1987), Charmian in Samuel Barber's Antony and Cleopatra (1991), Susanna in John Corigliano's The Ghosts of Versailles (1995), and Suzuki in Giacomo Puccini's Madama Butterfly (1997/1998).

[10] On October 16, 1989, White made her debut at the Metropolitan Opera as Flora in a new staging of Verdi's La traviata with Edita Gruberová as Violetta, Neil Shicoff as Alfredo, Wolfgang Brendel as Germont, and Carlos Kleiber conducting.

She has appeared on numerous Live from the Metropolitan Opera broadcasts on PBS, including portraying the roles of Bersi in Andrea Chénier, Fenena in Nabucco, Marcellina in The Marriage of Figaro, Margret in Wozzeck, Suzuki, and Tisbe in La Cenerentola for televised performances.

Some of her other roles at the Met include Anna in Les Troyens, Annina in Der Rosenkavalier, Baba the Turk in The Rake's Progress, Berta in The Barber of Seville, Brangäne in Tristan und Isolde, Carmen, Cherubino in The Ghosts of Versailles, Death in The Nightingale, Emilia in Otello, Erda and Flosshilde in The Ring Cycle, Federica in Luisa Miller, Giovanna in Ernani, Giulietta in The Tales of Hoffmann, the Innkeeper in Boris Godunov, Isabella in L'italiana in Algeri, the Kitchen Boy in Rusalka, La Cieca in La Gioconda, Larina in Eugene Onegin, Lola in Cavalleria rusticana, Maddalena, Magdalene in Die Meistersinger von Nürnberg, Mary in The Flying Dutchman, the Monitor in Suor Angelica, the Mother in L'enfant et les sortilèges, and Mistress Quickly in Falstaff among others.

[13] In November 1990 she was the mezzo-soprano soloist in the world premiere of Ned Rorem's oratorio Goodbye, My Fancy with the Chicago Symphony Orchestra and conductor Margaret Hillis.

In 2003 her recording of Michael Linton's Second Cantata, conducted by Jerry Blackstone was released on the Refinersfireus label[15] On December 17, 2011, during a performance of Gounod's Faust at the Metropolitan Opera in New York, a stage platform collapsed as White was walking onto it.