The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta.
The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district.
After a century of struggle for autonomy, the Western Gangas finally accepted Rashtrakuta overlordship and successfully fought alongside them against their foes, the Chola Dynasty of Tanjavur.
Though territorially a small kingdom, the Western Ganga contribution to the culture and literature of the modern south Karnataka region is considered important.
The Western Ganga kings showed benevolent tolerance to all faiths but are most famous for their patronage toward Jainism resulting in the construction of monuments in places such as Shravanabelagola and Kambadahalli.
It is theorised that the Gangas may have taken advantage of the confusion caused by the invasion of southern India by the northern king Samudra Gupta prior to 350, and carved out a kingdom for themselves.
The area they controlled was called Gangavadi and included regions of the modern districts of Mysore, Hassan, Mandya, Ramanagara,Chamarajanagar, Tumkur, Kolar, and Bangalore in Karnataka state.
[21] Considered the most successful of the Ganga kings, Durvinita was well versed in arts such as music, dance, ayurveda and taming wild elephants.
[24] From the year 725 onwards, the Gangavadi territories came to be called as the "Gangavadi-96000" (Shannavati Sahasra Vishaya) comprising the eastern and western provinces of modern south Karnataka.
[30][31] King Shivamara II is mostly known for his wars with the Rashtrakuta Dhruva Dharavarsha, his subsequent defeat and imprisonment, his release from prison and eventually his death on the battle field.
They were landlords and local elite whom the state utilized their services to collect taxes, maintain records of landownership, bear witness to grants and transactions and even raise militia when required.
[65] The plains to the east were the flat lands fed by Kaveri, Tungabhadra and Vedavati rivers where cultivations of sugarcane, paddy, coconut, areca nut (adeka totta), betel leaves, plantain and flowers (vara vana) were common.
[47][66] Sources of irrigation were excavated tanks, wells, natural ponds and water bodies in the catchment area of dams (Katta).
[81] The Western Gangas gave patronage to all the major religions of the time; Jainism and the Hindu sects of Shaivism, Vedic Brahmanism and Vaishnavism.
[82] However, inscriptions contradict this by providing references to kalamukhas (staunch Shaiva ascetics), pasupatas and lokayatas (followers of Pasupatha doctrine) who flourished in Gangavadi, indicating that Shaivism was also popular.
[91] These inscriptions also describe the gotra (lineage) affiliation to royal families and their adherence of such Vedic rituals as asvamedha (horse sacrifice) and hiranyagarbha.
[95] The deity Vishnu was depicted with four arms holding a conch (sanka), discus (cakra), mace (gada) and lotus (padma).
[96] From the beginning of the 8th century, patronage to Shaivism increased in every section of the society; the landed elite, landlords, assemblies (samaya), schools of learning (aghraharas)[97] and minor ruling families such as the Bana, Nolamba and Chalukya clans.
[101] Due to the vigorous efforts of priests and ascetics, Shaiva monastic orders flourished in many places such as Nandi Hills, Avani and Hebbata in modern Kolar district.
[108] Some of the courtesans and concubines employed in the harem of the kings and chieftains were well respected, examples being Nandavva at whose instance a local chief made land grant to a Jain temple.
[109] Education in the royal family was closely supervised and included such subjects as political science, elephant and horse riding, archery, medicine, poetry, grammar, drama, literature, dance, singing and use of musical instruments.
[113] Family laws permitted a wife or daughter or surviving relatives of a deceased person to claim properties such as his home, land, grain, money etc.
[116] The presence of numerous Mahasatikals (or Mastikal – hero stones for a woman who accepted ritual death upon the demise of her husband) indicates the popularity of Sati among royalty.
The Western Ganga rule was a period of brisk literary activity in Sanskrit and Kannada, though many of the writings are now considered extinct and are known only from references made to them.
[123] The prose, composed in lucid Kannada, was mainly meant for the common man and avoided any reference to complicated elements of Jain doctrines and philosophy.
[124][129] He also wrote one of the earliest available romance classics in Kannada called Karnataka Kadambari in sweet and flowing champu (mixed verse and prose) style.
[132] Gayachintamani and Kshatrachudamini which were based on poet Bana's work Kadambari were written by Hemasena's pupil Vadeebhasimha in prose style.
With the serene expression on the face of the image, its curled hair with graceful locks, its proportional anatomy, the monolith size, and the combination of its artistry and craftsmanship have led it to be called the mightiest achievement in sculptural art in medieval Karnataka.
[138] Other important contributions are the Jain basadis' whose towers have gradually receding stories (talas) ornamented with small models of temples.
[157] An interesting inscription discovered at Beguru near modern Bangalore that deserves mention is the epigraph dated 890 that refers to a Bengaluru war.