[2] An aim of the collection was to follow through on the promise of band member Jess DeCuir to "plan to produce, mix and create the first electro Country & Western LP" since the work of Gil Trythall.

[3] One reviewer noted that the recording also marked a change for Hyperbubble in that while Jess is regarded as "the voice of band, ...on this album Jeff (DeCuir) cleans up rather nicely as lead vocalist on a good number of tracks.

The release was called "a rare crossover" Country and Western album that "is synthpop at its core;" "a wild west of urban cowboys, honkey-tonk angels and truck-driving women.

"[6][4] Through "a hoedown of bouncy and bombastic country-western covers," band members Jess and Jeff DeCuir dubbed "electronic music's own Carter & Cash" eschew the "twang and wail of traditional country instruments.

"[6] Their "The Electric Horseman" was described as "a meaty take on the instrumental from the Robert Redford film of the same name" and that it represents an "extended (version) from the original which incidentally also featured a sequencer line.