After the death of his superior, he is sent in his place to a bankers' conference in Southport, and gives a lift to two fun-loving female students, Meg and Nikki.

The text in the opening credits is completely redone in German over the same unfettered film sequence as in the UK version meaning it must have been prepared concurrently.

The Monthly Film Bulletin wrote: "Norman Wisdom joins the flower people in what must be a strong candidate for the worst British comedy for some considerable time.

Wisdom's brand of little man pathos – in his previous films merely embarrassing – is here grotesque beyond belief, whether he is narcissistically flexing his sagging muscles before leaping into bed with a giggling teenage dolly, prancing insanely over sand dunes in breathless celebration of his rejuvenation, or cavorting round a hideous discotheque in a painfully unfunny attempt to persuade the inmates that he's still young at heart.

The rest is a catalogue of disaster: dialogue of indescribable inanity, appallingly crude performances from most of the supporting players, and colour which looks as though it has been processed in a mud bath.

And the Israeli director (previously responsible for such horrors as Seduced in Sodom) adds insult to injury by periodically inserting bits of pointless speeded-up motion.

"[5] Leslie Halliwell wrote: "Embarrassing attempt to build a sexy vehicle for a star whose sentimental mugging always appealed mainly to children.