This exaggeration of relative size can be used to make foreground objects more prominent and striking, while capturing expansive backgrounds.
[2] Longer lenses magnify the subject more, apparently compressing distance and (when focused on the foreground) blurring the background because of their shallower depth of field.
Wider lenses tend to magnify the distance between objects while allowing greater depth of field.
Another result of using a wide-angle lens is a greater apparent perspective distortion when the camera is not aligned perpendicularly to the subject: parallel lines converge at the same rate as with a normal lens but converge more due to the wider total field.
Because different lenses generally require a different camera–subject distance to preserve the size of a subject, changing the angle of view can indirectly distort perspective, changing the apparent relative size of the subject and foreground.
Ultra wide angle lenses have a focal length shorter than the short side of the film or sensor[citation needed].
Many of the lenses in this range will produce a more or less rectilinear image at the film plane, though some degree of barrel distortion is not uncommon.
Lens manufacturers have responded by making wide-angle lenses of much shorter focal lengths for these cameras.
Short-focus lenses are generally made up of multiple glass elements whose shapes are more or less symmetrical in front of and behind the diaphragm.
The retrofocus lens solves this proximity problem through an asymmetrical design that allows the rear element to be farther away from the film plane than its effective focal length would suggest.