Adamski's works were exhibited, among others, in: Helsinki, Poltava, Berlin, Madrid, Washington DC, Philadelphia and Paris.
The most significant event in his artistic output is mentioned as the great European exhibition at the Museum of Skills in Rotterdam, where his triptych in marble and bronze: "Leon's life in Three Acts: 1.
He won twice, in 1981 and 1985, an extremely prestigious Polish National Biennale of Small Sculptural Forms, as well as he was twice a scholarship holder of the Minister of Culture and Art (in 1982 and 1990).
He was repeatedly invited to participate in exhibitions at the Centro Dantesco dei Frati Minori Conventuali museum in Ravenna, Italy, where he won numerous awards.
The artist's parents came from the ruined capital, to the recovered territories north of Poland, where they ran a private meat factory and a butcher shop.
In 1968, Wiesław Adamski began studying at the University of Fine Arts in Poznań under the wings of professors: Olgierd Truszczyński and Magdalena Więcek-Wnuk.
His first painting was created in the early 70's (at the beginning of his studies), and it portrayed the garden landscape of his parents on the former School Street.
In the 1960s Adamski had an opportunity to move and set his sculptures at an exhibition, which in those years, was an artistic event in the capital of Western Pomerania.
Moore's figurative and abstract compositions had a great impact on his work during his studies at the High School of Art in Szczecin.
In the applied art and metalwork the artist created: lamps and chandeliers, showcases and signboards (Szczecinek Cultural Center), forged flags (Pomeranian Dukes' Castle in Szczecin), bas-reliefs (eagles for the District Court in Koszalin), information boards, balustrades, doors, forged gates and iron fittings for gates (Industrial Historic Granary in Szczecinek).
Religious subject included: roadside shrines, altars, candles, tabernacles and crosses for churches (Mother of God Queen of Poland in Grzmiąca).
Among his projects were: space planning (club Petit Palais in Breuil-Cervinia), small architectural form, landscape and land development (Jordan Garden in Szczecinek on Sadowa Street), furniture, stucco, stonework, roof structures, kiosks and gazebos, as well as the façade patterning and colors.
His work consisted also of: the fountains ("Two Bream" and "The Sturgeon" in Szczecinek), artistic tombstones (for the mother of the fashion designer Eva Minge), and chapels (to the Virgin Mary in Jazłowiec).
He was also involved in the teaching of drawing and painting, and magnificent artists came out of his wings, including Marta Dudź, Dorota Dziekiewicz-Pilich and many others.
At that time Wiesław Adamski also dedicated himself, together with his friend Henryk Gaszkowski, to counteracting bureaucracy, simplifying the activities of the officials, and improving the quality of life of the residents.
Artist's dream was to finish the figurines depicting the truth about the man in the form of grotesque (good / bad, beautiful / ugly, funny / serious, etc.)
Ryszard Kul said that: "Adamski having a task, an idea, a thought has a great ease and a vision of the form, and of the mass of the material".