Wilhelm Kempff

Although his repertoire included Bach, Mozart, Chopin, Schumann, Liszt and Brahms, Kempff was particularly well known for his interpretations of the music of Ludwig van Beethoven and Franz Schubert, recording the complete sonatas of both composers.

In 1914 Kempff moved on to study at the Viktoria gymnasium in Potsdam before returning to Berlin to finish his training.

Between 1936 and 1979 he performed ten times in Japan (a small Japanese island was named Kenpu-san in his honor)[citation needed].

He gave his last public performance in Paris in 1981, and then retired for health reasons (Parkinson's disease)[citation needed].

His recorded legacy includes works of Schumann, Brahms, Schubert, Mozart, Bach, Liszt, Chopin and particularly of Beethoven.

Kempff also recorded chamber music with Yehudi Menuhin, Pierre Fournier, Wolfgang Schneiderhan, Paul Grümmer, and Henryk Szeryng, among others.

In his book The Veil of Order, the pianist Alfred Brendel wrote that Kempff "played on impulse... it depended on whether the right breeze, as with an aeolian harp, was blowing.

Other noted pianists to have studied with Kempff include Jörg Demus, Norman Shetler, Mitsuko Uchida, Maria João Pires, Peter Schmalfuss, İdil Biret and Ventsislav Yankov.

He also prepared a number of Bach transcriptions, including the Siciliano from the Flute Sonata in E-flat major, that have been recorded by Kempff and others.

Album cover for Wilhelm Kempff's recording of Beethoven Piano Sonatas on DG 139 935 (1965), which received the Grand Prix du Disque
Kempff (right) with Ernest Ansermet (left) in 1965