Earlier results included his original observations on snow and crystals; and in 1809 Robert Jameson brought certain Arctic papers of his before the Wernerian Society of Edinburgh, which at once elected him to its membership.
His letters of this period to Sir Joseph Banks, whose acquaintance he had made a few years earlier, no doubt gave the first impulse to the search for the North-West Passage which followed.
[1] On 29 June 1816, commanding the Esk on his fifteenth whaling voyage from Whitby, Scoresby encountered grave problems when ice damaged his ship.
With the aid of his brother-in-law's crew on board the John, and after agreeing to surrendering much of their catch, the Esk was repaired, of which Scoresby recounted in his 1820 book The Northern Whale-Fishery.
Manby published his account in 1822 as Journal of a Voyage to Greenland, containing observations on the flora and fauna of the Arctic regions as well as the practice of whale hunting.
On his return, he learnt of his wife's death, and this event, with other influences acting upon his naturally pious spirit, decided him to enter the church.
[1] Scoresby's Journal of a Voyage to the Northern Whale Fishery, including Researches and Discoveries on the Eastern Coast of Greenland (1823), appeared at Edinburgh.
[1][4] From the first, Scoresby worked as an active member and official of the British Association for the Advancement of Science, and he contributed especially to the knowledge of terrestrial magnetism.
However, his observations extended into many other departments, including researches on optics[1] and, with James Joule, comparing electromagnetic (chemical), thermal (coal/steam), and organic (horse) power sources.
[1] In 1850, Scoresby published a work urging the prosecution of the search for the Franklin expedition and giving the results of his own experience in Arctic navigation.
"[18] Philip Pullman's His Dark Materials trilogy features a character named Lee Scoresby, an intrepid explorer, old Arctic hand, and balloon aeronaut.
[19] Scoresby is named in H. P. Lovecraft's science fiction-horror novella, At the Mountains of Madness,[20] as having observed and drawn "some of the wilder forms" of arctic mirages.