[7] Stephen Farber from The Hollywood Reporter gave the film a positive review, stating that "Afineevsky found a variety of witnesses, including student activists, journalists, laborers, artists and clergy, who all add sharp voices to the collage.

"[9] Dan Fainaru of Screen Daily wrote, "Consistently avoiding any attempt at political analysis, Afineevsky's cameras show ever-expanding crowds, young and old, men and women, Christians, Jews, Muslims, academics and proletarians, all united under the one common cause, the removal of a man who, in their eyes, embodied the concept of corruption.

Often exasperated by the politicians who were supposed to represent them and who cheated them, these people were willing to die, if necessary, to achieve their goal, displaying an idealistic fervour (i.e. the joined support of all religions) rarely encountered in normal circumstances".

[10] Eric Kohn from IndieWire gave it a grade "A−" on scale of A to F, stating that "Winter on Fire features the intensity of an action movie and the fury of a clear-eyed polemic.

[...] An exciting montage of the developing crowd ends with close to a million protestors gathered together at the centre of town in a stunning act of defiance.

[...] Despite the ongoing power of these scenes, Winter on Fire achieves its finest shot with a bird’s eye view of the Maidan protests, as thousands of activists push back against a black mass of officers and congeal into an insurmountable wall.

[9][12][13] According to Golinkin, "The colorful array of activists, artists, scarf-wrapped babushki, bearded priests and fresh-faced students makes it appear as if Ukraine's people from all walks of life in participated in the Maidan uprising.