A verse drama written largely in poetic form, the tragedy deals indirectly with the famous Sacco-Vanzetti case, in which two Italian immigrants with radical political beliefs were executed.
Mio's quest is complicated by his love for Miriamne Esdras and the difficult ethical decisions that result from his connection with her family.
A highly political play, with reflections on faith, truth, justice, love, and duty, it frequently alludes to William Shakespeare and Judaic philosophies.
The Broadway production, produced and directed by Guthrie McClintic, opened on September 25, 1935, at the Martin Beck Theatre, where it ran for 195 performances.
[2] Meredith, Margo, and Ciannelli were joined by John Carradine, Stanley Ridges, and Mischa Auer in the film adaptation in 1936, directed by Alfred Santell.