Wolfe Bowart

[1] Critic Fergus Shiel of The Age proclaimed the show “luminously inventive and magically silly” and Ari Sharp of The Program wrote “Bowart is the ultimate physical performer.

Reviewing for The Mercury, Robert Jarman noted "the show combines comedy and pathos, mime, magic and sleight of hand, shadow puppetry, film and sound in an exemplary and enchanting mix.

(see review[21]) The French premiere of "Letter's End" followed soon after,[22] during a tour that included dates at the 2013 Festival Effervescences alongside works by Philippe Genty, Daniele Finzi Pasca and James Thiérrée.

He undertook a 66-show national tour that spanned 27 venues and concluded with a season at His Majesty's Theatre in Perth, Western Australia, where The Man the Sea Saw headlined the 2011 Awesome Festival.

[24] The adventures of a man adrift at sea on a melting iceberg prompted Perth critic David Zampatti to write "Bowart acts wordlessly but with boundless expression, his silent movie-actor's face, acrobat's body and magician's hands telling us all we need to know.

As artistic director and co-creator of The Shneedles, Bowart, together with fellow clown Bill Robison, have performed in Japan, Singapore, Australia (see review[28]), Germany, Austria, Spain, Iceland and the U.S.

In a review for The Theatre Times, Michael Schweikardt wrote that From the Fishbowl "documents the moment of a young person struggling to come of age during the pandemic better than any oral history or written diary account ever could.

On the stage, he has performed in such productions as Moon Over Madness[34] at the John Anson Ford Amphitheatre in Hollywood, and in The Joy of Going Somewhere Definite[35] at the Mark Taper Forum.