Sonically, "Woman's World" is a dance-pop, EDM, electropop and electro song with themes of women's empowerment in its lyrics.

[1] Once a full-length, unfinished version of the song began to spread online, Warner Bros. and Cher decided to give the single an early release.

[6] Shortly after, a lyric video was posted on Cher's YouTube channel and the single appeared for purchase and streaming on iTunes, Amazon.com and Spotify.

"Woman's World" is an uptempo, "thumping"[7] "empowerment jam"[8] which falls under the dance-pop,[9] EDM,[10][11][12][13] electropop,[14] and electro[15] genres.

[16] Bass drums serve as the song's prologue, preparing a trance-like atmosphere, where Cher sings in a soft, low tone of voice:[16] "I'm dancin' solo, in the dark on the club floor/ I need to let it go, shake it off, stop thinkin' 'bout you',"[16] before emerging with a powerful vocal delivery with the words: "Torn up, busted, taken apart/ I've been broken down, left with a broken heart/ But I'm stronger, strong enough to rise above.

[citation needed] To promote the single and the accompanying album, Cher performed "Woman's World" on the season finale for the American vocal competition, The Voice on June 18, 2013.

[18] Gearing for the performance, the singer used the hashtag trending topic #CherLiveStream on microblogging website, Twitter, to advertise a behind-the-scenes Q & A between herself and fans.

As a service to fans, the Cher Charitable Foundation opened an eBay auction, selling walk-on roles for the music video.

[21] On June 30, 2013, Cher performed "Woman's World" along with her hit singles "Strong Enough" and "Believe" as the headline act of NYC Pride's annual Dance on the Pier, after having visited several New York City radio stations and night clubs as well as Andy Cohen's late night talk show Watch What Happens Live since June 27.

"[26] Gregory Ellwood of HitFix called it "a catchy track that will certainly make her fans happy and could get some gay club play.

"[28] However, Michael Cragg from The Guardian gave it a more mixed review, stating "Woman's World aims squarely for the EDM jugular but manages to sound horrendously dated, which might not be all that surprising given it was produced by Paul Oakenfold."

He compared it to the "cheap" and "cheerless" songs on Alexandra Burke's album Heartbreak on Hold but stated that Cher's vocals were "engaged.

"[29] Sarah Dean from The Huffington Post labelled it a "dancefloor anthem" and said her "instantly recognisable voice is loud and clear, but does the electro music do enough to bring her sound into this decade?"