A partial exception was Katherine MacLean, who wrote sociology- and psychology-oriented fiction and rarely used a male name.
[5] Eric Leif Davin argues in Partners in Wonder that science fiction's "male-oriented" reputation is unjustified and that it was a "safe haven" for outsiders, including women.
[9] Davin reports that only L. Taylor Hansen concealed her sex in early years, and that C. L. Moore wanted to hide her career as a science fiction author from her job.
As of 2013, publisher statistics indicate that men still outnumber women about two to one among English-language speculative fiction writers aiming for professional publication, but that the percentages vary considerably by genre.
The following numbers are based on the 503 submissions received by Tor Books, a major science fiction and fantasy publisher, between January and July 2013.
"[14] Labalestier quotes the editor of Startling Stories, writing in 1953, as saying Ten years ago [i.e., 1943] stf fans were practically all male, today with or without benefit of fan activities, a lot of girls and housewives and other members of the sex are quietly reading science fiction and beginning to add their voices to the bable... We honestly never expected such a surge of female women into science fiction[15]A 1958 self-reported If survey found that 31% of respondents were women, which the editors said was "surprisingly high (at least to us)".
Most prominent among these assertions is the claim that it was the advent of the original Star Trek television series which brought large quantities of women into fandom.
[19] The fanzine Khatru published a "Women in Science Fiction" symposium in 1975 (one of the "males" who participated was James Tiptree, Jr.).
Additionally, movement among writers concerned with feminism and gender roles sprang up, leading to a genre of "feminist science fiction" including Joanna Russ' 1975 The Female Man, Samuel R. Delany's 1976 Trouble on Triton: An Ambiguous Heterotopia, and Marge Piercy's 1976 Woman on the Edge of Time.
The 1970s also saw a vibrant gay liberation movement, which made its presence known in science fiction,[29] with gay/lesbian and gay/lesbian-friendly panels at conventions and articles in fanzines; gay/lesbian content increasingly present in the fiction itself; the gay/lesbian bookstore "A Different Light", which took its name from Elizabeth A. Lynn's novel of the same name;[30][31] and a focus on LGBT issues in the pages of feminist publications.
Margaret Atwood's speculative science fiction novel The Handmaid's Tale was adapted into a television series Hulu special and saw such success that it was renewed for a second season.
Many critics made the connection between The Handmaid's Tale and President Trump's America in multiple reviews of the series.
Octavia Butler's speculative science/fantasy fiction novel Dawn, the first in her trilogy titled Lilith's Brood, is currently being adapted for television by producers Ava DuVernay and Charles D. King's Macro Ventures alongside writer Victoria Mahoney.