The series follows a family of televangelists and megachurch pastors led by widowed patriarch Eli Gemstone.
According to Nielsen Media Research, the episode was seen by an estimated 0.214 million household viewers and gained a 0.06 ratings share among adults aged 18–49.
Baby Billy (Walton Goggins) informs Jesse (Danny McBride), Kelvin (Adam DeVine) and Judy (Edi Patterson) that he met Dusty Daniels (Shea Whigham) in 2000 while celebrating New Year, in which they engaged in an orgy.
Baby Billy suggests competing in his Bible Bonkers game show, asking them to greenlight it or lose the collaboration.
During this, Eli (John Goodman), May–May and Gideon (Skyler Gisondo) notice Peter in the van and follow him to the church.
Judy and BJ (Tim Baltz) have promoted marriage counseling based on books provided by Amber (Cassidy Freeman).
Later, the Gemstones, Freemans and the Montgomerys reunite under the big family tree, including an alive Peter, who is now using a prosthetic leg.
He said, "One of the worst parts about television is the idea that people don't feel confident in telling a complete story in a season.
"[3] In its original American broadcast, "Wonders That Cannot Be Fathomed, Miracles That Cannot Be Counted" was seen by an estimated 0.214 million household viewers with a 0.06 in the 18-49 demographics.
"[5] Scott Tobias of Vulture gave the episode a 3 star rating out of 5 and wrote, "the holy intervention that wraps up season three without a cliffhanger feels unfortunately like a clunky deus exmachina here.
"[6] Breeze Riley of Telltale TV gave the episode a 5 star rating out of 5 and wrote, "The appearance of Aimee-Leigh's ghost in this scene should be cringe, but we've already seen her as a cheesy hologram.
So in a way, her actual ghost showing up and fondly looking over how far her family has come provides the sweetest closing note on a season where her absence is an underlying theme.
The Righteous Gemstones is an outstanding comedy and Danny McBride's best series to date, and not just for its searingly funny and vulgar humor.
McBride's vision for a wide-spanning familial tapestry works extremely well, adding new characters and giving more substance to the ones we already know, and making us care for all of them.