The film was directed by Gavin Hood, written by David Benioff and Skip Woods, and produced by Hugh Jackman, who stars as the titular character, alongside Liev Schreiber, Danny Huston, Dominic Monaghan, and Ryan Reynolds.
Production and post-production were troubled, with delays due to the weather and Jackman's other commitments, an incomplete screenplay that was still being written in Los Angeles while principal photography rolled in Australia, conflicts arising between director Hood and Fox's executives over the film's direction, and an unfinished workprint being leaked on the internet a month before the film's debut.
Rage activates the boy's mutation: bone claws that protrude from his knuckles, and he impales Thomas, who reveals that he is James' biological father before dying.
Major William Stryker offers them membership in Team X, a group of mutants including marksman Agent Zero, katana-wielding mercenary Wade Wilson, teleporter John Wraith, super-strong and invulnerable Fred Dukes, and technopath Chris Bradley.
As Logan and Victor fight off Weapon XI, Kayla is mortally wounded while leading the captive mutants to Professor Charles Xavier and safety.
Before Stryker can shoot Kayla, she grabs him and uses her mutant power to persuade him to turn around and walk away until his feet bleed, then succumbs to her injuries.
[36] Patrick Stewart (digitally rejuvenated) also makes an uncredited cameo as a younger Charles Xavier / Professor X who appeared to have not yet lost the use of his legs.
[42][43] In preparing to write the script, he reread Barry Windsor-Smith's "Weapon X" story, as well as Chris Claremont and Frank Miller's 1982 limited series on the character (his favorite storyline).
[47] Benioff had aimed for a "darker and a bit more brutal" story, writing it with an R rating in mind, although he acknowledged the film's final tone would rest with the producers and director.
[42] Deadpool had been developed for his own film by Reynolds and David S. Goyer at New Line Cinema in 2003, but the project fell apart as they focused on Blade: Trinity and an aborted spin-off.
[59] Hood also suggested to make the implied blood relation of Wolverine and Sabretooth into them explicitly being half brothers, as it would help "build up the emotional power of the film".
[63] Controversy arose as the Queenstown Lakes District Council disputed the Department of Labour's decision to allow Fox to store explosives in the local ice skating rink.
[66] According to Hood, the screenplay was still incomplete as filming begun, with the production in Australia receiving regularly new script pages from Los Angeles, at times in the night before shooting.
One of the disputes involved the depiction of Wolverine as an Army veteran with post-traumatic stress disorder, with the executives arguing that audiences would not be interested in such heavy themes.
[73] In January 2009, after delays due to weather and scheduling conflicts, such as Hugh Jackman's publicity commitments for Australia, production moved to Vancouver, mostly at Kitsilano Secondary School and in University of British Columbia.
Many elements were totally generated through computer-generated imagery, such as the adamantium injection machine, the scene with Gambit's plane and Wolverine tearing through a door with his newly enhanced claws.
[80][81] Composed by Harry Gregson-Williams, the score for X-Men Origins: Wolverine was mixed by Malcolm Luker, engineered by Costa Kotselas, and featured Martin Tillman on the electric cello.
[82] Gregson-Williams earlier met Hood during the 63rd Golden Globe Awards dinner party where they were nominated for The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and Tsotsi (both 2005), and the collaborative discussions led him to the initial interest for the film's score.
[90] Executive producer Thomas Rothman claimed the leaked version lacked the ten minutes added during pick-ups in January 2009.
[93] Ted Gagliano, President of Feature Post Production at Fox, later revealed that the leak originated from a preview copy prepared for Rupert Murdoch at short notice with inadequate security.
[106] In December 2009, Hot Toys released the 12 inch highly detailed figure of Wolverine based on the movie with Hugh Jackman's likeness.
[119] The worldwide opening was over $158.1 million, but Fox stated that some markets underperformed, mostly due to the leaked workprint in countries with illegal downloading problems.
The site's critical consensus reads, "Though Hugh Jackman gives his all, he can't help X-Men Origins: Wolverine overcome a cliche-ridden script and familiar narrative.
[135] Comparatively, Bill Gibron of AMC's Filmcritic.com website gave the film a positive "4.0 out of 5 stars," saying that although Hugh Jackman is "capable of carrying even the most mediocre effort, he singlehandedly makes X-Men Origins: Wolverine an excellent start to the summer 2009 season."
He predicted "there will be purists who balk at how Hood and his screenwriters mangle and manipulate the mythology;" and further said that "any ending which leaves several characters unexplained and unaccounted for can't really seal the full entertainment deal.
"[137] Similarly, A. O. Scott of The New York Times expressed that "X-Men Origins: Wolverine will most likely manage to cash in on the popularity of the earlier episodes, but it is the latest evidence that the superhero movie is suffering from serious imaginative fatigue.
"[138] On a more negative note, Philip French of The Observer said that the film's "dull, bone-crushing, special-effects stuff" is "of interest only to hardcore fans who've probably read it all in Marvel comics.
Aggressively advertised and hyped to the hills, it will no doubt attract full houses at first; after that though, when word-of-mouth buzz-kill goes into overdrive, there's bound to be widespread deflation and a palpable feeling of being conned.
"[140] Similarly, Orlando Parfitt of IGN (UK) praised the performances of the actors and the action scenes, but stated that the film felt underdeveloped: "There's an enjoyable time to be had with Wolverine, but it's also somewhat unsatisfying.
[155] Reynolds and Jackman eventually appeared together again as their respective characters in the Marvel Cinematic Universe film Deadpool & Wolverine (2024), where Reynolds reprises his role from the spin-off Deadpool series of the franchise, while Jackman portrays a Wolverine "variant" in a comic-accurate yellow-suit as the co-lead, along with multiple alternate "variants" of Logan from the multiverse.