XX (film)

XX is a 2017 American horror anthology film directed by Jovanka Vuckovic, Annie Clark, Roxanne Benjamin, and Karyn Kusama.

Directed by Sofia Carrillo The anthology is framed by stop-motion-animated segments depicting a walking dollhouse with a blinking doll face on it.

A doll hand – separate, but also living – moves from its drawer and scurries around collecting items the dollhouse finds.

Susan and her husband Robert start to worry about him, taking him to a doctor who finds that Danny has lost five pounds since his last checkup.

The body is discovered when Carla, attempting to lift the Panda, accidentally removes the head, and the full title of the film is revealed as the children scream in terror: The Birthday Party, or, The Memory Lucy Suppressed From Her Seventh Birthday That Wasn't Really Her Mom's Fault (Even Though Her Therapist Says It's Probably Why She Fears Intimacy).

Written and directed by Roxanne Benjamin Four friends – Paul, Gretchen, Jess, and Jay – are all on an expedition out in the desert.

Andy – whose voice has changed and finger and toenails have become claws – confirms her suspicions: he is transforming into the spawn of Satan, something she has worried about since before his birth.

The website's critics consensus reads, "XX's array of distinct female filmmaking voices – and the empowerment their collection represents – offer enough thrills to make up for the overall uneven quality that plagues most anthology projects.

[10] Bloody Disgusting's Ben Larned called the creation of the film "a milestone" and said the "anthology lives up to expectations, and surpasses many male-dominated efforts of its kind" ultimately giving it a 4/5 rating.

[11] Sean Smithson writing for Shock Till You Drop said "XX is marking the spot for the future of horror" and noted "I’m ready for a second installment.

"[12] David Rooney of The Hollywood Reporter stated, "while it's worth applauding the women-to-the-fore directive, the usual limits apply.

With each short running around 20 minutes, there's little time to develop character or dramatic nuance, let alone lay the crucial groundwork to seed escalating terror.