X Marks the Pedwalk’s influence in the industrial and electronic music scenes was considerable during the 1990s, as they were one of the first and most popular acts from the now defunct record label, Zoth Ommog.
At that time, with influences such as Skinny Puppy, Kraftwerk, and DAF, Schmechta started a band called Scarecrow with his school-mate Regan Eracs (born Jörg Böhme).
X Marks the Pedwalk was a band that consisted of two members at a time, therefore, they never performed completely "live," but relied heavily on the incorporation of DAT playback.
formed the production nexus not only for X Marks the Pedwalk and related projects, but for many other Zoth Ommog bands including Armageddon Dildos and Evils Toy.
[9] The next two X Marks the Pedwalk albums, Meshwork (1995)[10] and Drawback (1997),[11] built on this new style and received favorable reactions by many fans within Europe, and thanks to the latter's release by Metropolis Records,[12] helped build an extended fanbase in North America.
The change in musical direction beginning with Meshwork is seen as having split the band's fanbase with a sound that deviated from strict industrial/EBM and presaged the development of the Futurepop genre.
[15] During the band's hiatus, two compilations of previously released material were produced: Retrospective 88–99 on the Memento Materia label in 1999,[16] and Experiences on Dying Culture in 2003.
"[30] Some other projects by André Schmechta included two with wife Stefanie, Viviane and Polyxena, the latter also featuring Heiko Daniel, and Lighthouse with friend Bernd Schöler.
X Marks the Pedwalk was inspired by the late 1980s European and Canadian Electronic body music scenes, yet its members were looking to create a sound that was unique to themselves.
What Schmechta describes as X Marks the Pedwalk's "aggressive percussion and synthesizer sequences" may have contributed to its place within the harder dance music scenes.
Some of the more prominent similar acts include Leæther Strip, Evil's Toy, Armageddon Dildos, Spahn Ranch, Mentallo & The Fixer, Birmingham 6, and Funker Vogt.
The name X Marks the Pedwalk comes from a satirical story by science fiction author Fritz Leiber that describes the beginnings of a war between pedestrians and motorists.
studios, recording not only all of X Marks the Pedwalk's subsequent material, but also albums by fellow electronic music artists Armageddon Dildos (who were also on Zoth Ommog) and Evil's Toy, among others.
Ringtailed Snorter Hyperdex-1-Sect U-Tek A-Head Viviane Polyxena Lighthouse Sevren Ni-Arb, as producer, for non-X Marks the Pedwalk related projects: