With the help of the children João and Maria, Pedro's nephews, they search the Internet for someone who knows the missing princess, but they can not find a clue.

For the first time, Xuxa Meneghel works on a literary adaptation and the author is Pedro Bandeira, an editorial phenomenon for children and youth in Brazil.

The actor, who plays the nearsighted and amusing prince of Cinderella, role of Xuxa, also lives a wanderer, father of Feiurinha, made by his heiress.

[8] Directed by Tizuka Yamazaki and written by Gabriela Amaral, the film counts on the participation of Brazilian artists like Angélica, Luciano Huck.

She develops a barbaric work for the children in her foundation [Xuxa Menenghel], as well as doing incredible things on TV and in the movies.

[25] The Cineclick wrote that "The performances are mediocre: Xuxa is always the same, the debutant Sasha tries, but luckily her role is small and it does not make much difference if she is bad or not, but Luciano Szafir is ashamed.

exception is Zezé Motta, who is a talented actress who even in the role of assistant of the writer, can illuminate, on the scene, even this poor movie.

[26] Túlio Moreira of Cinema com Rapadura, gave a first note to the film, defining it as "a legitimate case of cinematic nepotism", writing "Xuxa summons her patron of hots, singers, ex-boyfriends and celebrities of the moment to compose a mise-en-scène absolutely fond of content and absurdly worried about sizing the screen for the ego of personalities of the so-called Brazilian television culture.

If the theme is interesting by showing the princess routine, its illusions and achievements after the "happily ever after," any chance of developing this context is useless after the first bouts of starry on the film.

"[27] Mateus Nagime of Cineplayers, gave Xuxa in Feiurinha's, note 1.5 and a star, writing that "All celebrities play the role of "I'm here on the screen, do not demand talent."

In the first part it counts on a band of princess screaming and talking at the same time, trying to evoke laughs, whereas in the history of Feiurinha, Sasha Meneghel can not transmit the smallest charisma, besides being totally false to have still compassion with the witches who are to arrest for more than ten years.

[32][33] The Ministry of Culture released the production company Conspiração Filmes to raise until the end of the year 6.4 million reais in resources via Law Rouanet to O Mistério de Feiurinha.