[5][6] Never copyrighted,[7] the track was frequently reissued on single 10" EP and, since the mid-1950s, on LP on various labels, in most part together with Parker's other Dial recordings although often also on albums assigned to Miles Davis.
The Charlie Parker Septet's 1946 master recording of the song was inducted into the Grammy Hall of Fame in 2014.
Many of the recordings featuring the song are explicit tribute albums to Charlie Parker or a homage to the bebop revolution of the 1940s (cf.
Junior Cook played the tune quiet fast and ends his version citing John Coltrane, whereas Joe Lovano begins his twelve-minute-long interpretation as free floating ballad, then taking up speed in 6/8.
Even former free jazz musicians like Archie Shepp and Anthony Braxton remember the avantgarde prior to them, but "pay tribute to the spirit and chance-taking of Charlie Parker rather than to merely recreate the past.