Cthulhu Mythos deities

The "Elder Gods" are a later creation of other prolific writers who expanded on Lovecraft's concepts, such as August Derleth, who was credited with formalizing the Cthulhu Mythos.

Although worshipped by deranged human (and inhuman) cults, these beings are generally imprisoned or restricted in their ability to interact with most people (beneath the sea, inside the Earth, in other dimensions, and so on), at least until the hapless protagonist is unwittingly exposed to them.

As well as occasionally returning to white capped Thurai, Lerion and Hatheg-Kla on cloud ships under the cover of a light mist, they abandoned Kadath for a brief period for the "sunset city" that Randolph Carter conjured in his dreams.

Nyarlathotep, the "Crawling Chaos", is the avatar of the Outer Gods, existing as the incarnation of space and functions as an intermediary between the deities of the pantheon and their cults.

He appears as a formless black void, with seven pulsing orb-like eyes, and is mainly worshiped by ghouls, which tribute him in a defiled cult described in the mysterious Cambuluc Scrolls of the wizard Lang-Fu, dating back 1295 AD.

Named after the Greek goddess of truth, it manifests as a vast spiral of manifold titanic hands with a single cycloptic eye in each palm as in the Hamsa, and kilometric wire-like protrusions able to ensnare living beings, replacing their spinal bone in puppet-like fashion.

The Blackness from the Stars is an immobile blob of living, sentient darkness, torn from the primal fabric of the cosmos at the center of the universe.

D'endrrah[12] (The Divinity) is a sort of blurry female entity of supernatural beauty, dwelling within her obsidian palace located on Mars' moon Deimos.

Afterwards, the astral traveler is returned safely to his or her original body, suffering no ill effects, except perhaps receiving a terrible shock from the grisly scene so witnessed.

Whoever attempts summoning this entity needs the aid of a dimensional shambler, and the deity may manifest in a variety of forms, often as an immense lava lake or a vast pool of solidified quicksilver.

On closer examination it appears a wet, warty globe, covered with countless ovoid pustules and spider-webbed with a network of long, narrow tunnels.

According to the cycle surrounding these beings, they are a sort of cosmic yin and yang, whose meeting resulted in the creation of all things (although Azathoth is usually attributed to this).

The Nameless Mist (Magnum Innominandum, Nyog' Sothep) is a "misty, shapeless thing" spawned by Azathoth, and is the progenitor of Yog-Sothoth.

He has been permanently banished from the Elder Gods' Olympus and imprisoned beneath the eastern Mediterranean Sea, near Greece, in a dark, basalt-built citadel named Atheron.

However the exiled deity is not dead but just sleeping, and one day he will rise again from his abyss manifesting himself as a blue, 6-metre tall, cyclops-like monstrosity, with the bulk of his body covered entirely in crawling worms.

Olkoth (God of the Celestial Arcs)[18] appears as a demoniacal god-like entity able to reincarnate in human bodies if the stars are right (sort of a "Cthulhian" Antichrist).

It appears as a formless spinning hurricane-like thing with strings of violet and golden colors across its shape, constantly emitting sickening smacking and screeching noises while showing pain-stricken faces across its body.

Suc'Naath's essence is currently divided into three parts, one in a comet called Aiin, the other in some sort of statue located somewhere in the world, while the third has been genetically passed on for eons through prehuman, and now human races of Earth, mostly in the Middle East.

Tulzscha (The Green Flame) is the name given in the Malleus Monstrorum Call of Cthulhu roleplay game guide to the entity described in H. P. Lovecraft's story "The Festival".

Ycnàgnnisssz is a black, festering, amorphous mass that constantly blasts and erupts violently, spewing out bits of churning lava-like material.

A gigantic, bat-winged humanoid with detached eyes, wearing a green robe, this horrible deity sees all time and space as it slowly rotates in the centre of its clearing within the Jungle of Kled in Earth's Dreamlands.

Yidhra is served by devoted cults found in such widely separated places as Myanmar, Chad, Laos, Sumer, New Mexico, and Texas.

She usually conceals her true form behind a powerful illusion, appearing as a comely young woman; only favored members of her cult can see her as she actually is.

Its cosmic nature is hinted at in this passage from "Through the Gates of the Silver Key" (1934) by Lovecraft and E. Hoffmann Price: It was an All-in-One and One-in-All of limitless being and self—not merely a thing of one Space-Time continuum, but allied to the ultimate animating essence of existence's whole unbounded sweep—the last, utter sweep which has no confines and which outreaches fancy and mathematics alike.

In Anders Fager's short story "Grandmother's Journey", a tribe of dog or wolf-like humans (analog to the "ghouls" of the Lovecraftian mythos) is said to have sacrificed to Yog-Sothoth to become "different".

At the end of Lovecraft's last story, "The Haunter of the Dark", the protagonist Robert Blake calls on Yog-Sothoth to save him from the eponymous malign entity that he has let loose.

Derleth attempted to retroactively group the benevolent deity Nodens in this category (who acts as deus ex machina for the protagonists in both The Dream-Quest of Unknown Kadath and "The Strange High House in the Mist").

Joseph S. Pulver mentions in his Nightmare's Disciple (2006) a set of original Elder Gods, but offers no descriptions of their true forms.

Others have a cult title as Othkkartho (Sire of the Four Titans of Balance and Order), which is said to be Nodens's son, and Zehirete, who is The Pure and Holy Womb of Light.

Nodens ("Lord of the Great Abyss") appears as a human male riding a huge seashell pulled by legendary beasts.

Genealogy of Cthulhu mythos (1933) [ 1 ]
Kenneth Grant suggested Lovecraft's description of Yog-Sothoth as a conglomeration of "malignant globes" may have been inspired by the qlippoth . [ 25 ]