[6] The stage adaptation of the concept album, titled You're a Good Man, Charlie Brown,[7] went into rehearsal in New York City on February 10, 1967.
[8] On March 7, 1967, the musical premiered off-Broadway at Theatre 80 in the East Village, featuring Gary Burghoff as Charlie Brown, Skip Hinnant as Schroeder, Reva Rose as Lucy, Bob Balaban as Linus, Karen Johnson as Patty (an early Peanuts character not to be confused with Peppermint Patty), and Bill Hinnant as Snoopy.
Directed by Joseph Hardy and with choreography by Patricia Birch, the new cast consisted of Carter Cole as Schroeder, Grant Cowan as Snoopy, Stephen Fenning as Linus, Liz O'Neal as Lucy, Dean Stolber as Charlie Brown, and Lee Wilson as Patty.
[16] The musical opened in the West End in London on February 1, 1968, produced by Harold Fielding and Bernard Delfont,[18] and directed by original 1967 director Joseph Hardy.
In this revival, the character of Patty was replaced with Sally Brown, inspired by the same change Schulz made in the animated TV adaptation.
Also featured were Kristin Chenoweth and Roger Bart as Sally and Snoopy, with each winning the Tony award in the respective category.
[27] On December 15, 2008, a one-night-only benefit performance of Charlie Brown was staged at the Gerald W. Lynch Theater at John Jay College in Manhattan for the Make-A-Wish Foundation, directed by David Lefkowich.
[28] The cast featured Morgan Karr as Charlie Brown, David Larsen as Schroeder, Tom Deckman as Snoopy, Matt Crowle as Linus, Carmen Ruby Floyd as Lucy, and Kenita R. Miller as Sally.
The six-member “Peanuts” gang featured Joshua Colley as Charlie Brown, Gregory Diaz as Schroeder, Aidan Gemme as Snoopy, Milly Shapiro as Sally, Mavis Simpson-Ernst as Lucy, and Jeremy T. Villas as Linus.
The cast comprised Jordan Broatch as Charlie Brown, Troy Yip as Schroeder, Jacob Cornish as Linus, Oliver Sidney as Snoopy, Eleanor Fransch as Lucy, and Millie Robins as Sally.
[31][32] After closing in London, Chromolume's production transferred to Shanghai in August, 2024 opening at the FANCL Arts Centre in co-production with iMusical, Hangzhou Grand Theatre, and Singapore ULC Education Group.
The creative team and cast remained largely unchanged with Joǎo Almeida taking over as Charlie Brown and Poppy Austen joining as Sally.
After this trauma, Charlie Brown tries to find the right way to give The Little Red-Headed Girl her Valentine's Day card, but he ends up saying "Merry Christmas", making a fool out of himself.
At noon, Linus, Lucy, Schroeder, and Charlie Brown are working on their Peter Rabbit book reports, each in his or her own way.
We learn that this was a flashback, and Charlie Brown expresses his deep sorrow to his pen pal ("T-E-A-M (The Baseball Game)").
That evening, Snoopy complains that he hasn't been fed yet, and begins to overly complicate and dramatize the matter until Charlie Brown shows up with his dinner.
Snoopy bursts into song about his craving for supper until Charlie Brown firmly tells him to eat his meal ("Suppertime").
After this trauma, Charlie Brown tries to find the right way to give Lucy a Valentine's Day card, but he ends up saying "Merry Christmas", making a fool out of himself.
We learn that this was a flashback, and Charlie Brown expresses his deep sorrow to his pen pal ("T-E-A-M (The Baseball Game)").
Determined not to let what happened at the championship bother him, Charlie Brown decides to join Schroeder's Glee Club and cheer up by singing "Home on the Range" with his friends.
That evening, Snoopy complains that he hasn't been fed yet, and begins to overly complicate and dramatize the matter until Charlie Brown shows up with his dinner.
Snoopy bursts into song about his craving for supper until Charlie Brown firmly tells him to eat his meal ("Suppertime").
A medley of "Happiness" and "You're a Good Man, Charlie Brown" is performed as the cast comes out for a final curtain call.
"You're a Good Man, Charlie Brown Reprise", "Queen Lucy", "Peanuts Potpourri", "Rabbit Chasing", and "The Red Baron" are not included in the 1999 revival Broadway cast recording.
The complete orchestration contained a piano, bass, guitar, percussion, five woodwind parts, two trumpets, horn, trombone, and strings.
[34] When Charlie Brown was brought back to Broadway in 1999, the orchestration was deeply revised, containing a five-piece orchestra that consisted of a piano, bass, percussion, a woodwind player, and a violinist.
"[46] In The New York Times, Ben Brantley wrote a lukewarm review: The real problem is a matter of scale… there's an uncomfortable feeling of dead air that the cast must work much too hard to fill… Songs that were created as droll, low-key character portraits have been reconceived as showstoppers, and the frail, winsome little bodies of these numbers just aren't up to the job.
When Linus sings a duet with his famous security blanket, which has been wired to dance on its own, the sequence has a flailing, improvised quality that is the stuff of actors' nightmares.
This glow cast by a star-in-the-making gives a real Broadway magic to a show that otherwise feels sadly shrunken… And Roger Bart, in the plum role of Snoopy, the charismatic beagle, incorporates some delightful doglike mannerisms.
[53] This version was the first animated depiction of Snoopy with comprehensible dialogue, voiced by Robert Towers, who previously portrayed the role in the 1967 Los Angeles production alongside Burghoff as Charlie Brown and Judy Kaye as Lucy.