is the fifth studio album by American music producer Flying Lotus (Steven Ellison), released on October 6, 2014 by Warp Records.

It also features guest performances from Angel Deradoorian, Niki Randa, Kendrick Lamar, Snoop Dogg, Kamasi Washington, Jeff Lynne, Kimbra, and Herbie Hancock, along with Captain Murphy, Flying Lotus' rapper alter ego.

His music gear included Moog Voyager, Fender Rhodes, and Wurlitzer electric pianos, as well as a Gibson guitar, a Carvin Legacy 3 all-tube 3-channel amp head, a bank of six Moogerfooger analog effects modules and two Technics SL-1200 turntables.

[2][14] In "The Boys Who Died in Their Sleep", Ellison raps, under his alias Captain Murphy, about "being comfortable in a cloud where nothing ever happens", while naming OxyContin, Vicodin and Xanax.

was designed by Japanese manga artist Shintaro Kago on the cover and inner sleeve, with further art being utilised in the accompanying live show.

Much of the drawings featured men and women being disfigured and mutilated in unrealistic, hi-tech ways with a significant amount of gore and nudity.

[15] On October 7, 2015, Flying Lotus released a deluxe version of the album containing the instrumentals and the previously Japanese exclusive bonus track "Protector".

"[21] Matthew Bennett of Clash stated, "This, his fifth album, is also an overt ode to limbo, the halfway house of consciousness and true death.

"[7] In a glowing review for The Guardian Paul MacInnes said, "There's always been a sense that Ellison was stretching for a new musical vernacular, one that would continue the lineage of free jazz (he is the great-nephew of Alice Coltrane).

is a madly inventive record, one that takes hip-hop and jazz as starting points, beats them both to death and then brings them back to life in an almost unrecognisable form.

"[8] Nate Patrin of Pitchfork stated, "Flying Lotus has the notion that death should be the only limiting factor, and when he's put out a work that wrings beauty out of that very thing, what's the point of fearing anything?

"[10] Franklin Jones of Slant Magazine stated, "While it may not be clear where we're headed throughout the album, Ellison maneuvers through the bedlam with such confidence that it's not just easy to get swept up in his grand vision of the Great Beyond, but to return for repeat visits.

"[28] Michael Blair of XXL applauded the album overall saying, "The genius of Flying Lotus, which has been invariably present throughout his preceding releases, but most especially on You’re Dead!, is that he has an incredible ability to both illustrate and extract exceptional amounts of emotion, without saying much at all.