The film covers Erickson's rise to fame, his excessive use of LSD, struggles with schizophrenia, and his 1969 marijuana arrest that led to stays at Austin State Hospital and Rusk State Hospital for the Criminally Insane.

Erickson was irrevocably changed after the onset of his illness and he went long stretches with little interest in making or performing music.

What follows is a closer look at how he came to live in poverty and isolation, struggles to receive effective treatments, and how he manages to return to music and life.

[3] A review in the New York Times noted, ’Also noteworthy is the film's superb cinematography, by Lee Daniel, a frequent Richard Linklater collaborator.

His striking compositions and purposeful camera moves mirror Sumner Erickson's quest to create order from chaos.’[4] The Chicago Sun-Times found that ’The film, which premiered at SXSW in March, not only documents Erickson's legacy, it tells the broader human story of his battle with mental illness and its roots in his troubled upbringing, using a vivid but non-intrusive style as powerful as Terry Zwigoff's in the award-winning documentary, "Crumb.