Young Foolish Happy is the second studio album by English singer Pixie Lott, released on 11 November 2011 by Mercury Records.
[7] To celebrate the launch of the Pixie Collection, London-based women's clothing retailer Lipsy offered the first 10,000 customers a voucher to redeem on Lott's official website and obtain the album for £3 off.
BBC Music's Fraser McAlpine felt that the album has "little of the magic that characterised her debut's highs" and criticised Lott for "working with songwriters who are capable of a finely tuned pastiche or two", but nevertheless cited "Nobody Does It Better" and "You Win" as "notable exceptions".
[22] Rick Pearson of the London Evening Standard noted that Lott "opts for a more soulful direction this time around, something that works better with her wind tunnel of a vocal.
"[17] AllMusic critic Stephen Thomas Erlewine named the "Motown-mythologizing" "Stevie on the Radio" one of the "brighter, better songs [on the album], largely because it has bigger beats and hooks", but commented that "the rest of the record has the form of a blockbuster record but lacks the requisite rhythms or hooks and its scale dampens Lott's spunky personality, which was her primary charm on her debut.
Chalk continued, "Where debut Turn It Up showcased an original writing talent which belied the giggly blonde Essex girl persona, Young Foolish Happy sometimes lapses into a pastiche of Pixie's musical heroes.
"[19] Simon Gage of the Daily Express stated that although Young Foolish Happy is a "pretty solid album of bouncy pop numbers", artists like Adele, Lady Gaga and Katy Perry leave "artists like Pixie out in the cold", adding that the album "has all the catchiness you would expect from last year's golden girl, but this year is a very different place.
"[16] Virgin Media's Ian Gittins agreed, commenting that the album is "adequate, but never special: lacking Perry's raunch, Gaga's glitz, Adele's larynx or Jessie J's sass, it looks like Pixie Lott is set to remain a decidedly B-list pop star.
"[21] Kevin Mathews of Singaporean newspaper Today expressed that the album "contains enough vocal and rhythmic hooks to keep the pop public sated as tracks like 'Come Get It Now', 'All About Tonight' and 'Nobody Does It Better' deliver in all these departments with some aplomb.