[10] In 2015, curator Fatoş Üstek commissioned her to create a new work for fig-2 at the ICA London,[11] resulting in the ambitious, very complex, but at the same time very strong and resonating piece In Her Dream[12], a collaboration with Delfina Foundation and The Korean Cultural Centre.
Hong combined baroque aesthetics with Korean Shaman music for a performance based on a detailed study of induced violence and isolation in the everyday lives of women from various countries of affiliation.
Voluntary participants were invited through open call to respond to a soundtrack consisting of a compilation of political statements by public figures ranging from Donald Trump to Michael Moore.
She recognizes the loss of a communal space that premodern folks believed to be real, i.e., sacred areas in which the spirits of living organisms including animals, humans, and plants could communicate through a natural connection, and wishes for the recovery of such relationships of equality.
[24] 5100:Pentagon, created for the Gwangju Biennale 2014, was performed again at the Parque de la Memoria in Buenos Aires in December 2022, with local volunteers, as part of Mitos del futuro próximo curated by Sofía Dourron and Javier Villa.