Zbigniew Libera

[4][7] The models, photographs, packaging, and puzzle pieces have since been purchased for thousands of dollars and displayed by museums and art galleries worldwide.

[4] Libera's work also inspired the Jewish Museum in New York City to host their "Mirroring Evil: Nazi Imagery / Recent Art" exhibition in 2002.

[4] Joan Sall, curator of the Levinthal exhibition in the Museum of Judaica, also supports Libera's artwork, arguing that it cleverly demonstrates an ironic point of view, where an otherwise innocuous children's toy is used to show a destructive moment in history.

[4] Libera's rise to fame as an artist began in the 1980s in Europe when he released a video series beginning with Intimate Rites (1984), followed by How to Train Little Girls (1987), and Mystical Perseverance (1984–1990).

[1] Intimate Rites is allegedly influenced by the treatments that Libera's grandmother endured in her later life, such as being showered, being spoonfed, and having her diapers changed.

[3] Libera created a series of photographs named Positives (2002-2003), which includes photos of Wehrmacht soldiers destroying a border barrier in Gdańsk in 1939, a Vietnamese girl escaping Trảng Bàng during the Vietnam War in 1972, and prisoners of a liberated concentration camp.

[6] Mistrzowie (2004; English: Masters) is another photography series by Libera that captures sections of published newspapers and magazines that feature interviews with other artists in his league.

[3] Influenced by early twentieth-century French writer Raymond Roussel,[5] La Vue (2004-2006) is a photography series taken of the spaces between glossy magazine pages.

[3] In 1995, Libera released a piece titled Kens Aunt, consistent of twenty-five copies of a Barbie box-like packaging design and bubble wrap.

[1] Similar to Kens Aunt, Libera created another four-box set titled Eroica, which featured tiny female figures based on models of slaves.