He pursued post-graduate instrumental education at first in Vienna with Alois Forer and—after he moved to Germany—from 1964 at the Frankfurt Musikhochschule with Helmut Walcha.
al., as lecturer at the Summer Academy for Organists in Haarlem, the Darmstädter Internationale Ferienkurse für Neue Musik, as well as at numerous conservatories and universities in Europe, North America, Japan, and Korea), Szathmáry has developed a worldwide career not only as an organist and pianist, but also as a conductor.
His artistic activities have been rewarded with numerous prizes and honors: in 1960 he won first prize in the Budapest Organ Competition, in 1972 he was awarded the Bach-Prize Stipend from the city of Hamburg, in 1973 was inducted into the Freie Akademie der Künste in Hamburg, and in 1987 received the Franz Liszt Badge of the Hungarian Liszt Memorial Committee (A Magyar Köztársaság Liszt Ferenc Emlékbizottsága) and the Pro Artibus award from the Artisjus Foundation.
Open to musical experiment and technical innovations, in particular within the field of new music, he has earned a considerable reputation: In close co-operation with composers like Péter Eötvös, Vinko Globokar, Heinz Holliger, György Ligeti, Wolfgang Rihm, Peter Ruzicka, Dieter Schnebel, and Hans Zender, he has to date performed about 120 premières and enthusiastically advocates avant-garde organ music (amongst others: Luciano Berio, John Cage, Roman Haubenstock-Ramati, Maki Ishii, Mauricio Kagel, György Kurtág, Giacinto Scelsi).
[4][5] As a composer Szathmáry pursues an undogmatic pluralism in the application of contemporary compositional procedures, putting a special emphasis on making instrumental tone colors unfamiliar through the use of unusual playing techniques as well as live-electronic and electroacoustic means.