In addition to landscapes and still-lifes, she designed stained glass, clothing and decorative book covers.
She also worked as a commercial artist, notably for the firms Bahlsen and Günther Wagner (a pharmaceutical company, now a division of Pelikan AG).
[3] In 1909, she designed the lobster trademark for the food company, Appel Feinkost [de] which, in a slightly modernized form, is still in use today.
In 1911, she became a member of the artistic advisory board of Bahlsen and designed a poster depicting their historic headquarters on the Podbielskistraße [de].
In 1913, a major article about her in Das Plakat [de], a magazine devoted to poster art.