Bell and Ensslin explain that the work asks "listeners to imagine fictional stories alongside their current physical location in the actual world.
A contemporary journal, American Cultural Resources Association Newsletter (February 2004) calls this a "real-space museum" and explained that walking the actual current streets with this work allowed readers to experience the past in innovative ways.
[6] A contemporary journal, American Cultural Resources Association Newsletter (February 2004) calls 34 North 118 West a "real-space museum" and explained that walking the actual current streets with this work allowed readers to experience the past in innovative ways.
[8] In a 2020 interview with Molly Hankwitz, Jeremy Hight explained that this technology could "let places and history speak and potentially skin the world with stories: things not possible on paper".
[9] In an analysis of the poetic possibilities in digital media, Markku Eskelinen uses this work as an example of ergodic texts as defined by Espen Aarseth.