It explored ingrained feelings of inferiority that local intellectuals struggled against, and which were most clearly pronounced in the Australian theatre, music, art and letters.
Phillips pointed out that the public widely assumed that anything produced by local dramatists, actors, musicians, artists and writers was necessarily deficient when compared against the works of European counterparts.
The only ways local arts professionals could build themselves up in public esteem was either to follow overseas fashions, or, more often, to spend a period of time working in Britain.
In some professions this attitude even affected employment opportunities, with only those who had worked in London being treated as worthy of appointment or promotion.
Thus the cultural cringe brought about over the early to mid 20th century a pattern of temporary residence in Britain for so many young talented Australians across a broad range of fields, from the arts to the sciences.