[7][8][9] A24's television division has produced numerous programs, including At Home with Amy Sedaris (2017–2020), Beef (2023), The Carmichael Show (2015–2017), Euphoria (2019–present), Hazbin Hotel (2024–present), I'm Sorry (2017–2019), Irma Vep (2022), Mo (2022–present), Mr. Corman (2021), Ramy (2019–2022), and Ziwe (2021–2022).

[10] The company has also frequently worked with artistically minded writer-directors, including Ari Aster, Robert Eggers, Darren Aronofsky, Sean Baker, the Daniels, Danny and Michael Philippou, Alex Garland, Scott Beck and Bryan Woods, Rose Glass, Celine Song, Joanna Hogg, Yorgos Lanthimos, Sean Durkin, Kristoffer Borgli, David Lowery, Halina Reijn, Mike Mills, and the Safdie brothers.

GrandArmy made the logo and motion graphic intro for A24 alongside its website, their deco influenced look was featured internally and externally.

Other 2013 theatrical releases included Sofia Coppola's The Bling Ring, Harmony Korine's Spring Breakers, James Ponsoldt's The Spectacular Now, and Sally Potter's Ginger & Rosa.

[32] In January 2016, Sasha Lloyd joined the company to handle all film, television distribution and business development in the international marketplace.

[36] In January 2017, the company acquired the United States and Chinese distribution rights for their first foreign language film: Menashe.

Guests on the podcast have included Bo Burnham, Sofia Coppola, Paul Schrader, Martin Scorsese, and Alia Shawkat.

[46] In January 2022, former HBO and Amazon MGM Studios TV executive Nick Hall joined A24 to oversee creative for the company's growing television slate.

[55] The next month, it was reported that former Disney General Entertainment Chairman Peter Rice signed a deal with A24 as an independent producer, agreeing to co-finance films for global distribution.

[56] During the 2023 Hollywood labor disputes, which took place from May 2 to November 9, A24 was approved to continue filming and promotional activities since they do not have ties to the Alliance of Motion Picture and Television Producers (AMPTP).

The companies will also build A24 brand awareness across the region, and deepen relationships with local talent and audiences off screen beyond film releases.

Hazbin Hotel follows Charlie Morningstar (voiced by Erika Henningsen), the princess of Hell, as she pursues her seemingly impossible goal of rehabilitating demons to peacefully reduce overpopulation in her kingdom.

[67] In January, 2024, it was announced that A24 struck a deal with United Talent Agency (UTA) to produce scripted and unscripted television via the latter's Civic Center Media banner.

"Their brand stands for quality and originality, and we believe the Civic Center Media collaboration will provide a great experience for writers, actors, directors and IP holders.

Fans of Harmony Korine or Sofia Coppola or Jonathan Glazer aren’t going to be offended if we use the word shit or poke fun at Hollywood or take a stab at Jaden Smith’s twitter activity.

The proceeds go to four charities which include: FDNY Foundation, Food Bank For New York City, NYC Health + Hospitals, and Queens Community House.

[10] The action thriller Civil War (2024), written and directed by Alex Garland, is A24's most expensive in-house production yet, holding a budget of $50 million.

[72] The film is described as "an adrenaline-fueled thrill ride through a near-future fractured America balanced on the razor's edge"; Kirsten Dunst stars in the lead role as a reporter.

[95] The term also refers to genre films with a seemingly more artful sensibility than most fare, plus a focus on dramatic themes such as grief and trauma.

Fellow filmmaker James Ponsoldt (director of A24's The End of the Tour and The Spectacular Now) also applauded the company, saying: "A24 is remarkable at championing specific cinematic voices because they genuinely adore their films — and that enthusiasm is reflected in the creativity and laser-like precision of their marketing and releases.

[109] Such performances include: Mahershala Ali's in Moonlight (2016),[110] Awkwafina's in The Farewell (2019),[111] Toni Collette's in Hereditary (2018),[112] Brendan Fraser's in The Whale (2022),[113] Mia Goth's in X (2022) and Pearl (2022),[114] Tom Hardy's in Locke (2013),[115] Brie Larson's in Room (2015),[116] Greta Lee's in Past Lives (2023),[117] Robert Pattinson's in Good Time (2017) and The Lighthouse (2019),[118] Joaquin Phoenix's in C'mon C'mon (2021) and Beau Is Afraid (2023),[119][120] Florence Pugh's in Midsommar (2019),[121] Saoirse Ronan's in Lady Bird (2017),[122] Adam Sandler's in Uncut Gems (2019),[123] Anya Taylor-Joy's in The Witch (2015),[124] Alicia Vikander's in Ex Machina (2014),[125] as well as Ke Huy Quan, Michelle Yeoh, and Stephanie Hsu's in Everything Everywhere All at Once (2022).

[126][127] A24 has frequently worked with many artistically minded writer-directors, for most of which the films released by the company pivoted their careers, including Ari Aster, Sean Baker, the Daniels, Robert Eggers, Alex Garland, Rose Glass, Joanna Hogg, Yorgos Lanthimos, David Lowery, and the Safdie brothers.

[18][128][129][13] Auteur filmmakers Aster—director/writer of Hereditary (2018), Midsommar (2019), and Beau Is Afraid (2023)—and Eggers—director/writer of The Lighthouse (2019) and The Witch (2015)—are both notable for their contribution to and influence on modern horror, and partial reinvention and redefining of the genre.

[137][138][139] During a Q&A for Beau Is Afraid in 2023, renowned and veteran filmmaker Martin Scorsese dubbed Aster "one of the most extraordinary new voices in world cinema".

[140] Later in 2023, Talk to Me (2022), directed by twin brothers Danny and Michael Philippou, and released theatrically in the United States on July 28, became a triumphant success at the box office and surpassed Hereditary as A24's highest-grossing horror film domestically with a running total of $44.5 million on September 3.

[141][142][143] The film received positive reviews from critics, who praised its story, direction, horror sequences, practical effects, sound design, and performances.