While admiring the little girl and viewing her enjoyment over the wonders of the zoo, Jim notices that two evil-looking men are apparently shadowing the little one and her parents.

Seizing an opportune moment, Jim forces the plotting chauffeur to turn over his auto, and disguised in the other man's coat, cap and goggles, he calmly awaits the conspirators.

When the two wicked men return, after having successful enticed Marie away from her parents, they give the driver of their auto directions as to where to drive.

He was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions.

Film historian Q. David Bowers does not attribute a cameraman for this production, but at least two possible candidates exist.

Blair Smith was the first cameraman of the Thanhouser company, but he was soon joined by Carl Louis Gregory who had years of experience as a still and motion picture photographer.

[3] Only the role of Marie Eline is cited by Bowers, but a surviving film still raises the possibility of identifying several more actors in the production.

The reviewer states the "impossible parts of the plot are gracefully omitted" in reference to the abduction of the little girl played by Marie Eline and the overpowering of the chauffeur.

Though the overpowering of the chauffeur is required and acknowledged in the synopsis, the reviewer makes clear the actual method is not depicted.

[1] The final scene's setting is captured in a surviving film still that shows the little girl persuading her parents to hire Jim in the police station with three officers looking on in the background.

The reviewer states that the chauffeur is dismissed for no reason, whereas the synopsis for drunkenness and it is possible that the scene was not depicted.

[1] The Moving Picture World review is a more neutral one, but it concludes that, "[p]ictures like this might serve as an encouragement to reformation, but it is better to consider them as a species of entertainment, not to be despised, and yet, on the other hand, not to be accepted too literally.