A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge (1851–52) is the full, exhibited title of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period.

Millais had initially planned simply to depict lovers in a less dire predicament, but supposedly had been persuaded by his Pre-Raphaelite colleague William Holman Hunt that the subject was too trite.

[2] Returning to London after the weather turned too cold to work out-of-doors in November, he painted in the figures: the face of the man was from that of Millais's family friend Arthur Lemprière, and the woman was posed for by Anne Ryan.

This became Millais's first major popular success in this medium, and the artist went on to produce a number of other paintings on similar subjects to serve a growing middle class market for engravings.

[5] These include The Order of Release, 1746 (Tate, London), The Proscribed Royalist, 1651 (Lord Lloyd-Webber Collection), and The Black Brunswicker (Lady Lever Art Gallery, Port Sunlight).