Abaddon

Abaddon is depicted as part of a fictional trinity, alongside Mahome (Mahound) and Termagant (Termagaunt), which the poem attributes to the religious practices of Muslims.

In some legends, Abaddon is identified as a realm where the damned lie in fire and snow, one of the places in Gehenna that Moses visited.

[6] But the Septuagint uses apoleian (ἀπώλειαν), the accusative case of the noun apoleia (ἀπώλεια) with which it also translates abaddon in five of the six Hebrew verses that contain the word.

)[7] In Revelation 9:11, Abaddon is described as "Destroyer",[8] the angel of the Abyss,[8] and as the king of a plague of locusts resembling horses with crowned human faces, women's hair, lions' teeth, wings, iron breast-plates, and a tail with a scorpion's stinger that torments for five months anyone who does not have the seal of God on their foreheads.

[13][page needed] Jehovah's Witnesses also cite Revelation 20:1-3 where the angel having "the key of the abyss" is actually shown to be a representative of God, concluding that "Abaddon" is another name for Jesus after his resurrection.

This work associates Abaddon with figures such as Mahome (Mahound), Apollyon (Appolin), and Termagant, which are presented as deities in the context of the poem's portrayal of Muslims.

The inclusion of Apollyon, a name sometimes linked with Abaddon in Christian texts, highlights the interpretative approaches of the period towards Islamic practices.

[1] Such literary representations in medieval Christian literature are indicative of the broader context of interfaith understanding and relations during the Middle Ages.

Apollyon (top) battling Christian in John Bunyan 's The Pilgrim's Progress .