In 1952, his family moved to a new house in the northern part of the city, where he resided until 1960, when he received his diploma from Hadaf high school.

The beauty of Venice, its cultural and artistic lifestyle, and the presence of creative figures like Peggy Guggenheim, Lucio Fontana, Allen Ginsberg, Ezra Pound, Carlo Scarpa in the Sixties and Seventies, influenced him to such an extent that he decided to settle there.

This is the most influential area in his post graduate self-formation, liberating him from the Modernist crisscross grid towards unconfined volumes characterized by transparency, fluidity, flexibility and smooth dynamics curving surfaces.

This unconventional approach to design produced a spirit of independence, reflected in the research and carried out in the works created by the Studio.

The forms of spaces and objects are reflected in numerous designs for architectural competitions, professional projects and buildings, evidencing true multi-disciplinary approach.

These, in his view, have a closer relationship with the shifting apparatus of context, aware that these components, interacting with politics, economies, science, technology and social movements, generate sophisticated results that require complex solutions.

For the renovated approach of his Studio [9] in Italy, the method of creativity stands in the promotion of design solutions able to feed the urban regeneration as cultural, inventive, educational, and functional diversities for the fertile new languages and lifestyles, without following the repetition mannerist projects and what they produce, believing that creative solutions fed from the talent of the environmental components rather than from that of the designers.

These involvements happen also for designing workshops and events for these disciplines or for being invited as jury in the film festivals such as San Giò Film Festival [10] and for being active in workshops such as that extraordinary one with Iranian Director Abbas Kiarostami, who was, awarded by Tenstar Community Cinematography Prize 2015: "Why Cinema" 1971 1975 1979 1980 1982 1983 1992 2001 2006 2009 "The prize winners of the national competition to design the new headquarters of "Bimeh", the National Insurance Company of Iran", "Art & Architecture Magazine 31/32, Tehran: Art & Architecture Editions, December 1975, 39 – 47.

"Gruppo Ferro", acts of the national competition: the sun and the habitat for the use of alternative energy in residential and educational buildings, Rome – Italy: Kappa, November 1981, 296 – 299.

"Abbas Gharib e Sandra Villa – sistemazione di un padiglione Ghadjar presso Tehran", Architettura nei paesi islamici, Second International Architecture Exhibition, la Biennale, Volume, Venice – Italy: La Biennale di Venezia Editions, 1982, 278.

"ricerca", Costruire Magazine 33, Biennale di Venezia issue, Milan – Italy: Abitare Segesta, October 1985, p. 235.

"The neo-eclectic house – projects for the cultural design exhibitions for the Italian furniture fair", Abitare il tempo, volume, Venice – Italy: Arsenale, 1992, 93, 112.

Abitare il tempo, Volume, "Ten years of research, experimentation and new perspectives", Bologna – Italy: Grafiche Zanini, 1995, 221.

“Architecture: Dialogues and Letters – 12, Ad Abbas Gharib per l'Headquarters dell' Iran Oil Industry a Tehran", Milan – Italy: Mimesis, 2004, 185, 203–204.

"Meeting between two worlds", L'Arca, the international magazine of architecture, design and visual communication 220, Milan – Italy: l'Arca S.p.A. Editori, December 2006, 48–53 "Progetti per il mobile 2008", Dossier Compo Mobili, Furniture Design Magazine, European furniture components 53, Snatarcangelo Romagna (RN): Magioli SpA.Editore, January 2009, 68 Gharib, Abbas.

"Equilibrio di architettura (tra due mondi)", Studio Gharib – Verona, In Cariera & Professioni Magazine 2, Bologna – Italy: Golfarelli Editore, June 2008, 36–39 Dell'Osso, Guido R. "Edilpro, Architettura bioclimatica e sostenibilità nella casa per i paesi del Mediterraneo", Casarano (Le) Italy: Il tacco d'Italia Editore, November 2009, Volume, Cover, 73–79 "Arch.