[1] As a child, Welch was introduced to the music of American folk singers Bob Dylan, Woody Guthrie, and the Carter Family.
[9]After graduating from UC Santa Cruz with a degree in photography, Welch attended the Berklee College of Music in Boston, where she majored in songwriting.
[13] She recalled, "I looked at my record collection and saw that all the music I loved had been made in Nashville—Bill Monroe, Dylan, the Stanley Brothers, Neil Young—so I moved there.
"[14] Later, they recorded several more songs and played with an expanded group of musicians: guitarist and Rock and Roll Hall of Fame inductee James Burton, bassist Roy Huskey, Jr., and veteran session drummers Jim Keltner and Buddy Harman.
Mark Deming of Allmusic called it a "superb debut" and wrote, "Welch's debts to artists of the past are obvious and clearly acknowledged, but there's a maturity, intelligence, and keen eye for detail in her songs you wouldn't expect from someone simply trying to ape the Carter Family.
"[14] The Arlington Heights, Illinois Daily Herald's Mark Guarino observed that Revival was "cheered and scrutinized as a staunch revivalist of Depression-era music only because her originals sounded so much like that era."
[16] Ann Powers of Rolling Stone gave Revival a lukewarm review and criticized Welch for not singing of her own experiences, and "manufacturing emotion.
"[18] The song, "Orphan Girl," from Revival has been covered by Emmylou Harris, Ann Wilson, Karin Bergquist of Over the Rhine, Mindy Smith, Patty Griffin, Linda Ronstadt, Tim & Mollie O'Brien and Holly Williams.
Others who have recorded Welch's songs include Joan Baez, Grace Porter, Courtney Barnett and Kurt Vile, Punch Brothers, Mike Gordon, Bright Eyes, Calexico, Ani DiFranco, The Decemberists, Karl Blau, Jim James, and JD Pinkus.
[19] The duo's 1998 Hell Among the Yearlings continued the rustic and dark themes; the songs' subject matter varies from a female character killing a rapist, a mining accident, a murder ballad, and an ode to morphine before death.
[19] Similar to Revival, Welch was praised for reflecting influences such as the Stanley Brothers, but still managing to create an original sound,[21] while Chris Herrington from Minneapolis's City Pages criticized the songs' lack of authenticity.
The song is an elaboration of an old Mississippi tune discovered by Alan Lomax, and was nominated for the 2002 Grammy Award for Best Country Collaboration with Vocals.
[26][35][36] For Michael Shannon Friedman of The Charleston Gazette, "Welch's soul-piercing, backwoods quaver has always been a treasure, but on this record her songwriting is absolutely stunning.
[35][36] No Depression's Grant Alden wrote, "Welch and Rawlings have gathered ... fragments from across the rich history of American music and reset them as small, subtle jewels adorning their own keenly observed, carefully constructed language.
John Harris of Mojo magazine described the album as "pretty much perfect", and Uncut's Barney Hoskyns favorably compared it to Bob Dylan and The Band's The Basement Tapes.
[57] Creation Records founder Alan McGee showed optimism about Welch and Rawlings testing out some new songs while opening some concerts for Rilo Kiley, and wrote in a 2009 blog entry "the long gestation period signals nothing less than a perfect album".
[63][64][65] Thom Jurek of Allmusic wrote that the album "is stunning for its intimacy, its lack of studio artifice, its warmth and its timeless, if hard won, songcraft".
In July 2020, Welch and Rawlings announced All the Good Times (Are Past & Gone), an album of covers and traditional songs recorded at their home during the COVID-19 lockdowns of 2020.
[2] On July 19, 2024, Welch and Rawlings announced Woodland, to be released August 23, 2024 through Acony Records, and shared its first single, "Empty Trainload of Sky."
[76] Many songs performed by Welch and Rawlings contain dark themes about social outcasts struggling against such elements as poverty, drug addiction, death, a disconnection from their family, and an unresponsive God.
Their tempo is compared to a "slow heartbeat", and Cowperthwait of Rolling Stone observed that their songs "can lull you into near-hypnosis and then make your jaw drop with one final revelation".
[78] In 2003, Tom Kielty of The Boston Globe observed that she was "quietly establishing one of the most impressive catalogs in contemporary roots music", and a 2007 piece in The Guardian by John Harris called Welch "one of the decade's greatest talents".
[57][79] Critic Robert Hilburn of the Los Angeles Times wrote, "At every turn, she demonstrates a spark and commitment that should endear her to anyone from country and folk to pop and rock fans who appreciate imagination and heart.
"[80] When Welch's first two albums came out, critics questioned the authenticity of her music, as she was raised in Southern California, but performed Appalachian themed songs.
Likewise, it matters not whether Ms. Welch has ever walked the streets of "the black dust towns of East Tennessee" about which she sings in "Miner's Refrain" because the sense of foreboding that she expresses for the men who once labored in coal mines with futile hopes of a better life comes through loud and clear.
[82] The Wall Street Journal's Taylor Holliday echoed this: "Stingy critics give Ms. Welch a hard time because she's a California city girl, not an Appalachian coal miner's daughter.
"[85] In addition to the strong country influence, Welch also draws on a repertoire of such rock 'n' roll artists as Bob Dylan, Chuck Berry, Neil Young, the Grateful Dead and the Velvet Underground.
[1][12][86] She has noted alternative rock bands Throwing Muses, Pixies and Camper Van Beethoven "don't directly inform my music, but they're in there.
Welch has recorded songs with a variety of notable artists, including Ryan Adams, Ani DiFranco, Emmylou Harris, Jay Farrar, Alison Krauss, Old Crow Medicine Show, Bright Eyes, Robyn Hitchcock, Steve Earle, Ralph Stanley, Sara Watkins, The Decemberists, Solomon Burke and Mark Knopfler.
[91][92] Artists who have recorded songs written by Welch include Jimmy Buffett, Alison Krauss and Union Station, Trisha Yearwood, Joan Baez, Brad Mehldau & Chris Thile, Allison Moorer, Emmylou Harris, Miranda Lambert, Madison Cunningham, Kathy Mattea and ZZ Top.