[12] Charles was deeply devoted to his mother and later recalled, despite her poor health and adversity, her perseverance, self-sufficiency, and pride as guiding lights in his life.
Destitute, uneducated, and mourning the loss of her younger son, Aretha Robinson used her connections in the local community to find a school that would accept a blind African-American pupil.
[24] He started to build a reputation as a talented musician in Jacksonville, but the jobs did not come fast enough for him to construct a strong identity, so, at age 16, he moved to Orlando, where he lived in borderline poverty and went without food for days.
[26] While still working at the Rocking Chair, Charles also arranged songs for other artists, including Cole Porter's "Ghost of a Chance" and Dizzy Gillespie's "Emanon".
[32][33] His first recording session for Atlantic ("The Midnight Hour"/"Roll with My Baby") took place in September 1952, although his last Swing Time release ("Misery in My Heart"/"The Snow Is Falling") would not appear until February 1953.
In 1958, Charles and the Raelettes performed for the famed Cavalcade of Jazz concert produced by Leon Hefflin Sr. held at the Shrine Auditorium on August 3.
Written by Stuart Gorrell and Hoagy Carmichael in 1930, the song was Charles' first work with Sid Feller, who produced, arranged and conducted the recording.
In 1961, Charles had expanded his small road ensemble to a big band, partly as a response to increasing royalties and touring fees, becoming one of the few black artists to cross over into mainstream pop with such a level of creative control.
[43] This success, however, came to a momentary halt during a concert tour in November 1961, when a police search of Charles' hotel room in Indianapolis, Indiana, led to the discovery of heroin in the medicine cabinet.
Charles placed a spiritual interpretation on the experience, claiming that "something or someone which instruments cannot detect" was responsible for creating the small opening in the ice on the windshield which enabled the pilot to eventually land the plane safely.
Charles' version of the Don Gibson song "I Can't Stop Loving You" topped the Pop chart for five weeks, stayed at No.
[49] A Message from the People included his unique gospel-influenced version of "America the Beautiful" and a number of protest songs about poverty and civil rights.
[20] Although he had notably supported the American Civil Rights Movement and Martin Luther King Jr. in the 1960s, Charles was criticized for performing at the Sun City resort in South Africa in 1981 during an international boycott protesting that country's apartheid policy.
[52] In the same year he was a special guest at the Verona Arena during the tour promoting Oro Incenso & Birra of the Italian singer Zucchero Fornaciari.
In 2003, Charles performed "Georgia on My Mind" and "America the Beautiful" at a televised annual banquet of electronic media journalists held in Washington, D.C. His final public appearance was on April 30, 2004, at the dedication of his music studio as a historic landmark in Los Angeles.
His records disclose an extraordinary assortment of slurs, glides, turns, shrieks, wails, breaks, shouts, screams and hollers, all wonderfully controlled, disciplined by inspired musicianship, and harnessed to ingenious subtleties of harmony, dynamics and rhythm...
It is either the singing of a man whose vocabulary is inadequate to express what is in his heart and mind or of one whose feelings are too intense for satisfactory verbal or conventionally melodic articulation.
[55] Other singers who have acknowledged Charles' influence on their own styles include James Booker,[56] Steve Winwood,[57] Richard Manuel,[58] and Gregg Allman.
[10] In 1991, he was inducted to the Rhythm & Blues Foundation and was presented with the George and Ira Gershwin Award for Lifetime Musical Achievement during the 1991 UCLA Spring Sing.
In 2001, Morehouse College honored Charles with the Candle Award for Lifetime Achievement in Arts and Entertainment,[73] and later that same year granted him an honorary doctor of humane letters.
[74] In 2003, Charles was awarded an honorary degree by Dillard University, and upon his death he endowed a professorship of African-American culinary history at the school, the first such chair in the nation.
In 2010, a $20 million, 76,000 sq ft (7,100 m2) facility named the Ray Charles Performing Arts Center and Music Academic Building, opened at Morehouse.
[77] The United States Postal Service issued a forever stamp honoring Charles, as part of its Musical Icons series, on September 23, 2013.
[79] In 2016, U.S. President Barack Obama wrote via his press secretary, "Ray Charles's version of "America the Beautiful" will always be in my view the most patriotic piece of music ever performed.
The following year, Charles did perform at a desegregated Bell Auditorium concert together with his backup singers, the Raelettes, on October 23, 1963, as depicted in the 2004 film, Ray.
[69] Founded in 1986, the Ray Charles Foundation maintains the mission statement of financially supporting institutions and organizations in the research of hearing disorders.
[94] Charles was first arrested in 1955, when he and his bandmates were caught backstage with loose marijuana and drug paraphernalia, including a burnt spoon, syringe, and needle.
[106] Charles responded to the saga of his drug use and reform with the songs "I Don't Need No Doctor" and "Let's Go Get Stoned" and the release of Crying Time, his first album since kicking his heroin addiction in 1966.
King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones and Johnny Mathis.
The album included a version of Harold Arlen and E. Y. Harburg's "Over the Rainbow", sung as a duet with Johnny Mathis, which was played at Charles' memorial service.