Obsessed with finding innovative new uses for digital technology, Magyar's work quickly evolved from conventional documentary photography to the radically experimental and surreal.
[4] In his attempt to comprehend the interface of time's infinite flow in the world's modern metropolises, he has developed techniques to capture, on a single visual plane, disjointed, fragmented images of parts of an individual or group on a crowded street.
[5] A theme that recurs throughout much of his body of work is based on interlinking yet distinct ideas and techniques that aid us to see the inherent beauty found in the everyday.
[7] He uses a high-speed camera in his video series entitled Stainless, in which he captures at extremely high speeds densely populated urban areas.
[8] Magyar's work fuses the objective, even mathematical reality with the purely subjective, creating a unique fusion of technology and art.